23 Views
5
View In My Room
Printmaking, Digital on Glass
Size: 20.9 W x 20.9 H x 1.2 D in
Ships in a Box
23 Views
5
Featured in the Catalog
Featured in Inside The Studio
Showed at the The Other Art Fair
Artist featured in a collection
Signed limited edition of 100 Print on glass Dimensions: 53x53cm (including the frame) Framed in wooden white box frame . ready to hang. Printed directly on the back of the glass, this limited edition piece is signed, numbered and framed in a bespoke white box frame. There is a gap between the piece and the white background and the image seems to be floating in the air. The transparent inks filter the light through the image and cast colourful shadows on the white background.
2024
Digital on Glass
100
20.9 W x 20.9 H x 1.2 D in
White
Yes
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
I am a contemporary artist living and working in the UK. I create mixed media and collage pieces, inspired by pop and urban art themes, and sell original pieces, limited edition prints, and offer artwork commissions. I have made art my life’s work. I enjoy the challenge of exploring new and inventive techniques, to create pieces that are balanced and simple, but technically complicated. As I tend to get bored rather quickly, I’m always experimenting; trying out lots of different materials that I have not used before, in ways that are less common. Consequently, although I like to choose subjects that fascinate me such as: beautiful people, butterflies and birds, I find more pleasure in focusing on developing specific techniques and trying out new forms of media. My favourite medium is spray paints. They are truly versatile and I adore the smooth and uniform finish that they can create. However, what I love most about spray paints is the challenge in using them. Unlike the control one has over a traditional paint-brush, you rarely have the same level of control when it comes to using a spray-can. Pointing the nozzle over a delicate piece that I have been working on for days or weeks is a terrifying, but truly thrilling moment for me. Especially as I like perfection; if I make a mistake, I will have to go back to the beginning and start again from scratch. My work begins with a vague image in my mind. I spend weeks or months considering the possibilities of developing it. I then start sketching my basic ideas and begin to plan the stages for its creation. As soon as I have a clear idea of how the finished artwork should look, I will begin the process. The hard part is that things rarely go as planned, especially if I am working with unpredictable materials. Sometimes it takes several attempts to achieve the finish I desire. I have had pieces that took over eighteen months to complete, but normally the process takes around four to eight weeks, depending on the complexity of the design.
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Featured in Saatchi Art's curated series, Inside The Studio
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London
Artist featured by Saatchi Art in a collection
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