View In A Room
Add to Favorites
VIEW IN MY ROOM
VIEW IN MY ROOM
Printmaking, Screenprinting on Paper
Size: 43.3 W x 43.3 H x 0.4 D in
Ships in a Tube
Artist featured in a collection
Screenprint produced in 1998 in the Dubois Sérigraphies workshops in Orléans. It is part of the publication of a set of art serigraphs produced with contemporary artists and assembled in a catalog entitled "Tant et Temps". It is directly inspired from an ink on paper, "Curva 10" from the Curvas series produced between 1994 and 1996. It is signed lower right and numbered 46/50. Sérigraphie réalisée en 1998 dans les ateliers Dubois Sérigraphies à Orléans . Elle s' intègre dans le cadre de la publication d'un ensemble de sérigraphies d'art réalisées avec des artistes contemporains et réuni dans un catalogue intitulé "Tant et Temps". Elle s'inspire directement d'une encre de chine sur papier, "Curva 10" de la série des Curvas réalisée entre 1994 et 1996. Elle est signée en bas à droite et numérotée 46/50.
Print:Screenprinting on Paper
Artist Produced Limited Edition of:50
Size:43.3 W x 43.3 H x 0.4 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
J/Y Delaunay-Israel was born in France. He has been living and working in Jerusalem since 2015. Trained at the I.A.V. of Orleans and the Villa Arson (Ecole Nationale Supérieure d'Arts) of Nice, he then, in parallel with his artistic activity, worked as a nurse, a care executive and a director of care in psychiatry. At the end of his studies he decided to follow the voices of painting which, from the blown hands of Gargas to the prints of those of Jasper Johns in " Plongeur ", carried him from the banks of Support Surface to Motherwell and Ryman via Shi-Tao (" Les propos du Moine Citrouille amère ") and the ocean of Art Brut. Thus since 1984, he has been creating series on canvas or paper with different techniques (watercolour, acrylic, inks, oil, charcoal, pastel) whose titles are often inspired by literature or music: Composition " 1984/1989, " Prémices " 1988/1990, " Desseins " 1991/1994 , " Curvas " 1994/1996, " Patrimoine " 2000/2004 , " Les Bijoux " 2002/2006 , " Ellis Island " 2004/2013 , " Epiphanies hierosolymitaines " 2017/2019, " Dances/Ricoudim "2016/..., " Long distance call " 2017/..., " Songs without word/Nigounim" 2020/..., " Fugues " 2016/..., " Lishma " 2018/... Methodically, starting from principles of composition drawn from the history of art and geometry, he endeavours, day after day, to set the times of the appearance of the painting, the "history" of its advent. Thus, out of all preliminaries or premeditations, he leads several paintings at once. At each session he intervenes only once and without repentance, on a part of each of them, leaving paintings and reserves in suspense until the next time. Thus the painter's gesture is as if cut, both in its thickness and in its surface, into multiple interlaced transverse strata and shows the singular dialogue of the painting with the author of its appearance. His works have been regularly exhibited in France and Israel. Two catalogues published by the Centre d' Art Contemporain de la Scène Nationale d' Orléans have been devoted to him with texts by the painter Christian Bonnefoi "La pose du temps" and the art historian Tristan Trémeau "Peindre avec réserve". He himself has devoted several writings to his work as well as to the workshops of artistic practices and cultural projects he conducted at the psychiatric hospital.
Artist featured by Saatchi Art in a collection
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Explore an unparalleled artwork selection by artists from around the world.
Our 7-day, money-back guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?