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Decostruzione IV, Limited Fine Art Print Print

Fabio Zanino

Italy

Printmaking, Screenprinting on Paper

Size: 19.7 W x 27.6 H x 0 D in

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$220

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About The Artwork

Fabio Zanino‘s silkscreen is based on the abstract sculptures Deconstructions: an artistic project in which words and forms leave the original message to take on evolving aesthetic identity. Thus prohibition signs, warning signs and luminous signs are broken up into minimal units to be recomposed into sculptures works according the objet trouvé – deconstruction – assemblage scheme. The work of subtraction reaches its essentiality in the use of the cut which, as a single gestural intervention, gives the work a new identity, a different alchemical order. 5-colour silkscreen art prints, handmade, unique pieces, numbered and signed by the artist. 5-colour hand-printed limited edition artistic silkscreen poster, created by Missiontoart in Sericraft, Turin (Italy) in 2011. Year: 2011 Copies: 60 Dimensions: 50 x 70 cm Paper: Fedrigoni Colours: 5

Details & Dimensions

Printmaking:Screenprinting on Paper

Artist Produced Limited Edition of:60

Size:19.7 W x 27.6 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Fabio Zanino (Turin, Italy 1978) investigates the details that bring us to the universal in an ongoing synecdoche. Like a magnifying glass, he captures elements from everyday life transforming them into images that stand alone in their aesthetics and meaning, elevating the marginal into the worthy. By observing the effects of time on matter, the traces of human action and the processes of dissolution, Zanino isolates things from their original contexts. By assigning them a new dimension, he investigates the origins of abstract artistic inspiration. Decostruzioni was born from this research. Word and form abandon their intended purpose and are turned into an aesthetic of becoming. So “Do Not Enter,” “Danger” and other road or warning signs, are broken up into minimal units and compose themselves into sculpture, following the simple framework: objet trouvé – deconstruction – assemblage. The work of subtraction reaches its essence by using cuts that, as the only gestural intervention, provide a new identity, a different order and alchemy. Estrangement, upon closer inspection, is the sense of a reality revealed.

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