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Drawing Bird, sienna - Limited Edition 11 of 12 Print

Eric Ezendam

France

Printmaking, Ink on Paper

Size: 32.3 W x 32.5 H x 0.1 D in

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About The Artwork

You remember? The Drawing bird can change it’s figure, it’s habits and even it’s colors? Last Monday it changed into completely different colors: sienna and black! The bird claims that all the rest stayed the same as before (not totally true as you can see). But to make love in it still prefers the oak tree, especially in the green oak (the tree that helps more than any other tree to get rid of the CO2), although it sometimes loves best when flying high. The bird says it is “As free as an artist”! This might be a self-portrait, it is called “Drawing bird, sienna”. Again printed in the superb Giclée technique (as promised) and in a limited edition: 12, on heavy Fine Art paper sized 82,5 x 82 cm. Signed and dated by the artist, who wishes you a free summer too!

Details & Dimensions

Printmaking:Ink on Paper

Artist Produced Limited Edition of:1

Size:32.3 W x 32.5 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Eric Ezendam was born in Amsterdam, in the Netherlands, where he studied Art and Art history at the Rietveld Academy. Later on in Milan, he immersed himself in the world of graphic design, and through the ensuing years combined that profession with the fine Arts. He worked many years from Amsterdam, also a year in in Italy, in Rome and afterwards he travelled through many other countries. Since 2000 he has devoted his talent exclusively to fine Art, with his graphic work greatly enhanced by his knowledge of the computer. In addition to drawing with charcoal (often in large format) and terracotta chalk or Indian inks, along with oil painting on canvas, he finds the computer a fascinating medium for exploring new ways of expression. Many of his works are printed in high quality very limited editions (rarely more than 10 prints), but of course his charcoals are unica, as are his unique reworked large Giclées. “Ezendam is a master of all weapons” wrote the late Martin van Amerongen when he was editor-in-chief of the Dutch weekly De Groene. While interviewing Ezendam for his radio programme, ‘Visiting Artists in Their Studio’ art critic Toine Moerbeek exclaimed: “Those mysterious, sometimes cynical scenes you create, Eric, that’s pure theatre of the absurd. And those superb very large drawings, they are the result of a lifelong passion!”. And Gallery-owner Anne-Claire Vogtschmidt discerned in the artist’s oeuvre an almost metaphysical aspect: “Time in his work plays a different role, reality is somewhat pushed aside or backwards, and we, beautiful in our ugliness, we are put there in a loving way in this place where we haven’t been before.”

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