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EACH LINE ONE BREATH - BRASS N° 4 Print - Limited Edition of 1

John Franzen

Netherlands

Printmaking, Engraving on Iron

Size: 24.8 W x 32.7 H x 0.4 D in

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Featured in Rising Stars

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Artist featured in a collection

ABOUT THE ARTWORK

Making of video: http://www.youtube.com/watch?v=8cL_f5QR29E The drawing is an unique item. Handmade in 2mm solid brass. Each line is hand drawn by one breath and then etched into the brass. “Each Line One Breath” is a limited edition of 50 free-hand drawings that offers an artistic interpretation of evolution through the use of basic lines. The line is the initiation of any drawing and its indispensable prerequisite. The creation of a line demands the most fundamental and transcendent state of life: breathing. Inspiration comes from the Late Latin inspirationem and its verb inspirare: in- from „in“ + spirare „to breathe“. Inspiration is the act of inhaling. Starting with a straight line, each sequence that follows is created by drawing another line that seeks to imitate its successor. Concentration and the repetitive act of inhaling and exhaling during each line is that which lets the lines evolve into logarithmic-like patterns and layers. The resulting artworks are reminiscent of waves that transport energy through every single motion across space and time. Lines and the inexhaustible possibilities to see them assemble into different patterns are equal to the manifestation of matter and energy. Lines are everywhere to be found. They are in waves of sound and light, water and dunes, trees and their growth rings, rain or grass luffing in the wind…. I wish to abstain from any kind of social, political, economic or cultural commentary upon my body of work. My focus is one of scientific nature. What constitutes the extent and shape of my work is the very essence of life that I look to discover. The lines bedded next to each other are an example of the stratification of matter. When I draw, I draw the void. Not the line. I focus on the nothingness around the line. The same happens with myself. At best, my skin vibrates while I draw. A pulsing tension undulates through my body like an inaudible sound of energy. I become aware. I become everything which I am not. My void is the conjunction of truth and energy. It is this instant that marks the moment of creation and the bare energy that flows through everything and nothing at the same time. It is not about what I create. It is that I create. The act of drawing as meditation allows a space in which the human being and the universe, as well as the observer, can come together as agents of energy to achieve an inner-worldly transcendence. From a cosmological and spiritual point of view, the resulting works are not an abstraction but the realistic illustration of nature.

DETAILS AND DIMENSIONS
Printmaking:

Engraving on Iron

Artist Produced Limited Edition of:

1

Size:

24.8 W x 32.7 H x 0.4 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

BIO: John Franzen (1981) was born in Aachen, Germany. Both parents were nurses. With 7 years he grew up in Belgium. Later he attended the Academy of Fine Arts in Maastricht, Netherlands 2002-2007, where he graduated with a Bachelor of Fine Arts. Working in various disciplines and materials, he focuses on the theme and production of complex frames of concepts with the focus of the inherent primordiality. He lives and works in Maastricht, Netherlands and as an artist and conceptor. ARTIST STATEMENT: An artist in his true nature is made of incomprehensible multitudes; he is the untidy culmination of a shaman who is not believing but praying, a scientist who is not searching but analyzing, an engineer who is not building but inventing, and a child who is not playing but dreaming. He exists in the paradoxical state of attempting to capture his own vast inner perceptions of reality in the confines of the outer world. His artwork is mystic ritual, scientific model and applied philosophy. His process may be compared to how priests or shamans work while praying. His art springs forth in a way similar to the emergence of holy offerings, that is, from a deep internalization of and total commitment to the unknowable source of everything. Despite this comparison, Franzen’s work remains immanently non-religious. While his process and product may be relatable to religious performance, his muse is rather the concept of the ‘Human-Universe-Executer.’ The ‘Human-Universe-Executer’ can create ad infinitum from the pure energy which he attempts to command. One act, one stroke, one move represent, in essence, all creation. Each further act is merely a repetition of the first and considered redundant. The artist must wrestle with how to accurately convey the fact that the urge to create is, rather than being inconsistent with nihilism, is intimately allied with it. Shi Tao formulated the principle of one holistic brushstroke as a medium for the articulation of a non-dualistic cosmos. According to this principle, the ‘Human-Universe-Executer’ and the observer achieve a kind of transcendence through the creational act. The one act is thus the most central concept upon which the work relies. In turn, his work reflects the void as source and muse of life itself. Franzen’s art can be seen as a spiritual mindset or mystical conception which has been adapted from Japanese Taoist and Zen philosophy.

Artist Recognition
Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Featured in Rising Stars

Handpicked by Saatchi Art's Chief Curator for our most prestigious feature, Rising Stars

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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