VIEW IN MY ROOM
United States
Printmaking, Etching on Paper
Size: 24 W x 31 H x 0.1 D in
Ships in a Tube
Shipping included
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Ongoing theme of expressing my concern about the endangerment of rhinos. Although most of my current work is a colorist abstract interpretation of the Aurora Borealis, I have visited the issue of rhino poaching many times in the past, even as street art in Paris. I believe the power of intaglio printing is the best médium to convey this concern because of its contrast and linear power. On a personal note, I do love to draw, and I have had an uncanny ability to represent my ideas through draftsmanship since I was a child. This print was created at Crown Point Press and the edition of 20 was printed by master printers C. Sennish and E. York on Somerset paper. In addition to the 20 prints, there are 5 AP, 2 PP and 1 TP. The image is 18”x 24”. Etching, softground, aquatint on copper. Certificate of Authenticity provided. The print is signed, titled, and numbered
Printmaking:Etching on Paper
Artist Produced Limited Edition of:20
Size:24 W x 31 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Born in Cleveland, Ohio, I have lived all my adult life in Los Angeles, primarily Venice and Santa Monica, where I have my art studio. As a young artist, I frequented the Art Museum and took classes at the Cleveland Institute of Art. CMA had beautiful Cezannes depicting Mt. St. Victoire, paintings that I loved. A few years ago, I spent a month in Aix en Provence, where I visited his studio and walked among the locations where he painted of the mountain and quarries. What a great painter! Much to Zola's bemusement, Cezanne painted St. Victoire for 20 years...the same subject...but always working with underlying geometric forms interacting with color. While I am no Cezanne, I, too, paint the same subjects repeatedly, always seeking to interact shapes and color to create a sense of space and energy. These subjects are inspired by extraordinary visual effects found in nature, usually while traveling: Spectacular Aurora Borealis in Iceland; Fantastic Fairy Circles on the Namibian desert. My Fairy Circles thème recalls another great artist, Sonia Delaunay, who created the first truly abstract painting in 1912. Her pioneering works continued the exploration of interacting colors with geometric shapes (with circles a predominate one). I am an abstract landscape painter using visual cues of relative contrast, overlapping shapes, complementary and derived neutral colors and other elements of perception I first learned from Ed Mieczkowski, one of the pioneers of the Op Art Movement, but I apply paint like an abstract expressionist. Painting technique is very important...I love mixing colors and applying glazes...and I'm very fussy about my brushes and paint consistency. In that sense, I am a traditional painter, not into digitized mixed media, even though I have an extensive background in computer applications. Recently, I have renewed my interest in blockchain technology, and I am fascinated by how NFT's have taken hold in the art world. I have some IP in that area, so I am thinking about venturing into superrare.com spaces. Stay tuned. Another passion is protection of rhinos. I actually went to Namibia to photo rhinos, which I did, and met rhino rangers in the Huab Conservancy. I love these endangered creatures, and I am working on a series of rhino etchings that I call "Cloudwalker". Printmaking is another interest. It requires draftsmanship and technical knowledge, which I have mastered to some degree.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles, Virtual, Los Angeles
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