VIEW IN MY ROOM
United States
Printmaking, giclee on Canvas
Size: 48 W x 36 H x 2 D in
Ships in a Crate
Shipping included
Artist Recognition
Featured in the Catalog
Artist featured in a collection
“Bouyancy” is part of my ongoing series entitled “Explorations in Soft Abstraction”. Much of my work is characterized by graphic hard lines, shapes and forms. In the soft abstraction series I explore diffuse lines, shapes and forms along with soft, blended color transitions. I feel the influence of Mark Rothko very powerfully in these works. The effect is very meditative in both in the process of painting and viewing the work. This is a dramatic, high quality giclee print on museum grade canvas true to the size and visual impact of the original painting. It is printed by Bellevue Fine Art Reproductions and stretched over a wide 2 inch stretcher bar for a stunning presentation ready to hang. This work is also available as a separate limited edition series printed on museum grade archival paper. For information about the paper series please refer to the portfolio listings or contact a Saatchi art representative.
Printmaking:giclee on Canvas
Artist Produced Limited Edition of:25
Size:48 W x 36 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Technology has played an important role in the development of my work as an artist. Though I consider myself primarily a painter, I feel that much of my most original and progressive work is in the newly emergent digital medium. I grew up artistically in the heart of a technological hub and this was central to the integration of technology with my art. I do not believe that technology is "the" future of art. I believe that technology, like every innovation in art before it, is an exciting new aspect of modern art and I feel honored to be a part of that. I am also a theorist on the nascent field of contemporary metapsychology.
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