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Image: 12x73 cm.
On this original image of Tomasa Martin 50 numbered copies have been made and signed by the author from 1/50 to 50/50 + 2 copies P / A from 1/2 to 2/2 also signed and numbered.
The technique used has been the giclée digital print with eight ultrachrome inks based on pigments. The paper used is Hadnemühle Willians Turner of 310 gr.
This print is accompanied by certificate of authenticity.
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Image: 12x73 cm.
On this original image of Tomasa Martin 50 numbered copies have been made and signed by the author from 1/50 to 50/50 + 2 copies P / A from 1/2 to 2/2 also signed and numbered.
The technique used has been the giclée digital print with eight ultrachrome inks based on pigments. The paper used is Hadnemühle Willians Turner of 310 gr.
This print is accompanied by certificate of authenticity.

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FIBONACCIE - Limited Edition Nº 10/50 Print

Tomasa Martin

Spain

Printmaking, Ink on Paper

Size: 29.5 W x 5.5 H x 0.1 D in

Ships in a Tube

$400

Shipping included

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1098 Views

19

Artist Recognition
link - Featured in Inside The Studio

Featured in Inside The Studio

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Artist featured in a collection

ABOUT THE ARTWORK

Image: 12x73 cm. On this original image of Tomasa Martin 50 numbered copies have been made and signed by the author from 1/50 to 50/50 + 2 copies P / A from 1/2 to 2/2 also signed and numbered. The technique used has been the giclée digital print with eight ultrachrome inks based on pigments. The paper used is Hadnemühle Willians Turner of 310 gr. This print is accompanied by certificate of authenticity.

DETAILS AND DIMENSIONS
Printmaking:

Ink on Paper

Artist Produced Limited Edition of:

50

Size:

29.5 W x 5.5 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Tomasa Martin is an artist based in Barcelona, Spain. Her work is a silent and poetic art expressed through images that create atmospheres capable of expressing feelings and emotions. My work revolves around the human being. Every year, spring comes, and to me, it does not cease to amaze me. The same thing happens to me with the human being. Your feelings, the expression of emotions, etc. They are like an inexhaustible source of inspiration. All this leads me to investigate, to go into their emotions. I would say that my purpose is to show the emotional side more than the simple image of a portrait. Normally, I use acrylics and oil simultaneously, which allows me to play with the execution times of the work, and as a support, I prefer linen or wood. Sometimes I wonder what the reasons are that led me to dedicate my life to painting and I always arrive at the same conclusion. I do it because I need it. Painting has become a tool that lets me explain stories and express everything that makes me excited, depressed, annoyed and all the other emotions that make me who I am. Using a minimalistic scenario I try to make a connection with the spectator. This is something that I always strive to achieve. Exhibitions from 1990 in Europe, USA and Asia. Work of intimist character and minimalist construction. Inspired by details daily and motivated by the events around the world.

Artist Recognition
Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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