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All etchings are hand inked and pulled by me using traditional printmaking techniques.

Etching
The term etching can cover a variety of techniques, but usually refers to the corrosion of a metal plate using acid to produce a line. My etchings follow a very traditional method.

Preparing the plates.
I clean my copper plate using ammonia and whiting to remove all the grease, i then paint sugar lift on to each plate to create the images i want to etch. A liquid varnish is then poured over the design and once that has set, i rub away the sugar lift solution. I am then left with the line i have created with the sugar lift. I am then ready to aquatint my plate.

Aquatint.
Here i am using the aquatint to create my etching. I apply a fine dust called rosin made traditionally from pine resin to each plate. A cloud of resin is created in a large box using a paddle, then as the fine dust falls I put in my plates. Like snow, the resin settles on to the copper and without disturbing the dust the plates are removed from the box. Using a blow torch to heat the under side of the metal, the resin is melted onto each plate. When the plates are placed in the acid bath, the unprotected copper is eaten away, leaving the tiny protected dots of the aquatint untouched. The longer the plate is left in the acid, the darker the tint.

Taking the print.
I then work ink into the grooves left on the plates by the etching process. I ink my plate and then with a muslin cloth the excess ink is wiped off, leaving the ink only in the grooves. Placing the inked copper plate face up on the printing press, pre dampened paper is carefully laid on top then layers of felt. This sandwich is then forced between two steel rollers. The paper is pushed in to the grooves at such a force it pulls out all the ink. There is nothing better than revealing the finished print.
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VIEW IN MY ROOM

Fisherman - Limited Edition Etching Print

Ella Carty

United Kingdom

Printmaking, Aquatint on Paper

Size: 10 W x 6 H x 0.5 D in

Ships in a Tube

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SOLD
Originally listed for $380
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280 Views
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Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

All etchings are hand inked and pulled by me using traditional printmaking techniques. Etching The term etching can cover a variety of techniques, but usually refers to the corrosion of a metal plate using acid to produce a line. My etchings follow a very traditional method. Preparing the plates. I clean my copper plate using ammonia and whiting to remove all the grease, i then paint sugar lift on to each plate to create the images i want to etch. A liquid varnish is then poured over the design and once that has set, i rub away the sugar lift solution. I am then left with the line i have created with the sugar lift. I am then ready to aquatint my plate. Aquatint. Here i am using the aquatint to create my etching. I apply a fine dust called rosin made traditionally from pine resin to each plate. A cloud of resin is created in a large box using a paddle, then as the fine dust falls I put in my plates. Like snow, the resin settles on to the copper and without disturbing the dust the plates are removed from the box. Using a blow torch to heat the under side of the metal, the resin is melted onto each plate. When the plates are placed in the acid bath, the unprotected copper is eaten away, leaving the tiny protected dots of the aquatint untouched. The longer the plate is left in the acid, the darker the tint. Taking the print. I then work ink into the grooves left on the plates by the etching process. I ink my plate and then with a muslin cloth the excess ink is wiped off, leaving the ink only in the grooves. Placing the inked copper plate face up on the printing press, pre dampened paper is carefully laid on top then layers of felt. This sandwich is then forced between two steel rollers. The paper is pushed in to the grooves at such a force it pulls out all the ink. There is nothing better than revealing the finished print.

Details & Dimensions

Printmaking:Aquatint on Paper

Artist Produced Limited Edition of:35

Size:10 W x 6 H x 0.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

B.1971 Nairobi, Kenya. Ella is a painter who investigates her own experiences of the world. Her semi-abstract paintings incorporate a love of colour and pattern, absorbing and interpreting her surroundings. Ella’s most recent body of work depicts interior spaces in saturated colour inspired by her experiences during the recent pandemic and multiple lockdowns. “I was craving warmth and colour – sensations that weren’t on offer during the Cornish winter. I use colour to depict a reinvention of both real and imagined spaces. Our rooms, our domestic environments, became both our sanctuary and our place of confinement these last few years. But I always think paintings are like rooms; you can step into them and be transported to another place entirely.” Ella has exhibited widely in the U.K. Her work is held by collectors in the U.S. Canada, Australia, the Middle East, Europe and in the U.K.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, Bristol

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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