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Green Shaw Walker Chair print Print - Limited Edition of 20

Stuart Hicking

United Kingdom

Printmaking, Digital on Paper

Size: 16.5 W x 23.4 H x 0.2 D in

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$260

Shipping included

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ABOUT THE ARTWORK

These 1960s American office chairs remind me of a barbers or dentists chair. Great shape! Chair design has always fascinated me. Each version of something to sit on, changes through time and the materials that are used. Yet each one is made by a craftsperson and can be valued as an objet d'art. Personally I often see them as props in a film or play that add character to a scene. They want to tell you a story and often do. My giclée prints use 12 pigment inks on 100% cotton rag paper 310gsm. It will be signed, numbered and include a certificate of authenticity. It is printed on A2(42x59.4cm) size paper . I package the prints up myself in a strong card tube, covered in acid free tissue paper, along with a certificate of authenticity and a thankyou note. In addition, you'll get an English Breakfast teabag as my way of saying thankyou 😊 I hope you enjoy my work as much as I did, making it. The artwork used for the Saatchi open edition prints has been adjusted to 16"x24" to avoid cropping.

DETAILS AND DIMENSIONS
Printmaking:

Digital on Paper

Artist Produced Limited Edition of:

20

Size:

16.5 W x 23.4 H x 0.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I went to art college back in the 1970s, where I received a BA 1st (Hons) in Fine Art before completing an MA at the Royal College of Art in the film school. I then worked in film and video production and finally the education sector before early retirement. ​ My main influences are the artists being talked about in the 1970s, such as Jasper Johns, Robert Rauschenberg and Jim Dine. The New York scene seemed to combine and challenge what art, performance and film could be in a way that has left a permanent mark on my psyche. This cocktail of Pop Art imagery and Abstract Expressionist mark-making seems to be where I feel most comfortable.​ The imagery I refer to in my work is autobiographical and has a backstory which is both personal and yet familiar to us all. It is where everyday objects seem to mean a lot.

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