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VIEW IN MY ROOM

HEART poster Print - Limited Edition of 10

Elen Alien

United Kingdom

Printmaking, Screenprinting on Paper

Size: 15.7 W x 19.7 H x 0 D in

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About The Artwork

"Heart" is intentionally made larger than “Head” to emphasize its importance in the context of the series . Petals were infected with mold fungus to make it alive. Mold is gradually damaging the petals, so the picture is slowly changing over time. “Heart" will eventually disappear and that makes it special. We always value things that are not meant to last forever more . With this work I motivate people to think about love. Is it limited? Is it changing over the time? I want this artwork to be a kind of reminder that nothing has an eternal life, even their feelings, even lives of their belongings and their own lives . I want people to pay attention to the fact the most fragile parts of their lives are the most important at the same time. The frame with gallery glass can be purchased separately. The work is currently available at M35 collective, Oslo.

Details & Dimensions

Printmaking:Screenprinting on Paper

Artist Produced Limited Edition of:10

Size:15.7 W x 19.7 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For me, constantly moving between countries, not verbal, but the visual language has become an actual form of communication. My art is about our inner processes, often mirroring in the outer world. Being born in a multicultural environment, I consider myself a citizen of the world. I combine elements of different times and cultural communities to show the absence of the need for separation, labeling. After all, we form all this together, in co-existence. Nature with its processes has become both my source of inspiration and the most suitable material for my works. I am interested in its symbolic properties, intertextuality, transformative qualities, energy, and mood. I unite opposites, such as the tenderness of flowers and the hardness of epoxy resin, thereby revealing the ambivalence of being. I tear objects out of their natural cycle, idealizing them, transforming the finite into a semblance of the infinite. My work focuses on our notion and perception of time. I celebrate the beauty of imperfection because every flaw is a trace of the inexorable elusiveness of time, evidence of experiential involvement, and, thus, an organ of self-identification. That’s why the contingency of the process and the errors resulting from the experimental move are important to my practice.

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