455 Views
11
View In My Room
Printmaking, Digital on Paper
Size: 13 W x 22 H x 0.1 D in
Ships in a Crate
455 Views
11
Artist Recognition
Artist featured in a collection
ABOUT THE ARTWORK
Signed and numbered, printed on Saunders Waterford 100% cotton watercolour paper, 200gsm, deckle edge on 3 sides. Re-printed from the original artists copy. These abstract images began life as an animation. To push this time based media into print, every frame of the animation were printed upon one another with a digital printer. The wet ink upon the blotting paper in turn spread to the printers rollers dragging the ink across the page revealing it's process. The prints echo long exposure photography or liken themselves to the last frame on the page of a William Kentridge animation. Here we are looking at the forced introduction of digital film upon digital print.
DETAILS AND DIMENSIONS
Printmaking:
Digital on Paper
Artist Produced Limited Edition of:
1
Size:
13 W x 22 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Crate
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Have additional questions?
Please visit our help section or contact us.
Christopher Stoneman
United Kingdom
Chris graduated with an MA in communication arts and design from the Royal College of Art in 2011. As an animator his interest isn’t in the classical sense of story telling but more so utilisising the media as a complementary collaborator to other medias. This focus developed through an appreciation of those before me in the craft such as Norman McLaren, specifically for his ‘boumbar and kiki’ style of animating images and creating sounds dynamically. Also the likes of Len Lye for his emotive, synaesthetic visual responses to the improvisatory nature of Jazz music or John Whitney for his dynamic between mathmatical formulai and graphic representation. His personal practice today extends to explore the collaboration of materials, disciplines, subject and narrative. Exploring the contrast between programming and paper cutting, digital print and animation, bronze and the moving image, glass and projection or sound and live fed information.
Artist Recognition
Artist featured by Saatchi Art in a collection
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