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Printmaking, Collage on Copper
Size: 8.3 W x 11.7 H x 0.3 D in
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Hunting for sport is not traditional to Ireland Like so many other colonial introductions around the world, it is a hangover, a visceral example of the generational trauma and post-colonial policy structures we are still living with. From the Murdúch to the story of Oisín and the Hare, a large percentage of our mythology brings with it an instruction to cherish biodiversity and the sovereignty of our sibling fauna and cousin flora. Native mammals in particular have a deep symbolic and spiritual connection to the other realms and the things we cannot see. This ancient knowledge of the intelligence of the natural world is being confirmed by modern science too. With this collection, panels made of alternative photographic processes, collage, ink and copper, I am deliberately subverting the paradigm. Dressing animals in colonial hunting attire, their louche demeanour and self-confident faces challenging the viewer with a simple question: how would you like it?
2022
Collage on Copper
One-of-a-kind Artwork
8.3 W x 11.7 H x 0.3 D in
White
No
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Billy Lingwood is a visual artist based in Cork City, Ireland. Billy's work uses humour and satire to explore subjective impact of post-colonial social, cultural and policy structures on Ireland’s resident lifeforms through the media of printmaking, installation, co-creation & intervention. Having exhibited extensively in solo and group exhibitions in Ireland and abroad, Billy has also developed, curated and directed exhibitions and arts festivals in Cork. A qualified printmaker with a BA (Hons) in Fine Art: Printmaking & Contemporary Practice (2014), recent artistic achievements include: The acceptance of 3 works to this year’s RHA Annual Exhibition Awarded an R&D award through the Artist in the Community Scheme funded by the Arts Council of Ireland, managed by Create Providing a printmaking workshop at St. Peter’s, Cork City, for Cruinniú na n-Óg 2024
Artist featured by Saatchi Art in a collection
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