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Printmaking, Etching on Paper
Size: 48.6 W x 34.6 H x 0.1 D in
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Title: Llorando por tu amor (Crying for your Love) (Coded Paintings Series) Year: 2006 Medium: Intaglio and aquatint on handmade paper Dimensions: 88cm x 123.5cm. Image size: 61.5cm x 100cm. Edition: 75 copies numbered from 1/75 to 75/75 8 artist's proofs from I/VIII to VIII/VIII This is the copy signed and numbered in pencil E.A I/VIII in excellent condition. The certificate of authenticity is included. Beautiful proof in bright colors. CODED PAINTINGS Taking as a reference the analysis of deconstruction and the supposed unviability of the codes of communication for representation, and more specifically of pictorial language, Imanol Marrodán, using a "heuristic" method and through his "Codified Paintings", intends to deny the historical representational quality of the pictorial method, to make his works independent "objects", finally freed from their representational obligation. It is the "Object Image" that asserts itself by its mere material presence and becomes an autonomous body, an "artefact" that demands a new way of being contemplated. The ontological reason for these paintings, called "Nuclei of Emotion" or "Coded Paintings", is determined by colour and light, which are the essence of sensory communication and emotional transmission beyond any rational explanation. These objects are framed within the Zen aesthetic, inspired by the hexagrams of the I Ching or Book of Mutations, and are a reference to the Taoist universe and Eastern thought and culture.
2006
Etching on Paper
8
48.6 W x 34.6 H x 0.1 D in
Not Framed
No
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Imanol Marrodán. Bilbao 1964, Basque Country. An interdisciplinary creator and researcher, he carries out, among other activities, critical work through various events related to art and contemporary thought as part of his personal creative project. The concept of limit, inspired by the idea of the ancient Roman "limes", cited by the philosopher Eugenio Trias as a metaphor for a civilised and rationally controlled knowledge, is the starting point of a concept of limit that is not understood as the end of something, but as a means for the "beginning" of growth and evolution. This idea of searching and exploring the unknown and of personal identity related to natural processes and rhythms is the central theme of Imanol Marrodán's work. The aim is to create an atlas of meanings that is increasingly broader and with different meanings. We propose the construction of a metalanguage that encompasses the different stages and experiences lived as mental structures metaphorically formed by Euclidean geometries and at the same time also by structures of fractal and organic intuitive thought. It is the process of forming an experience that shares a socio-political habitat in an industrial, materialistic, technological and artificial world, as opposed to a natural environment closely linked to the laws of the universe, which we hardly know, but which we still feel and intuit. The conclusion and priority of Imanol Marrodán's creative project is to highlight and bring to light the different uses, utilities and practical applications of contemporary creation as one of the essential driving forces behind the future of a social, political and economic community, helping to determine its changes and evolutions. He has exhibited in countries such as the United Kingdom, France, Germany, Portugal, Belgium, Korea, Argentina, Chile, Switzerland and the United States. His work has been shown in international contemporary art fairs such as ARCO, VALENCIA ART, ARTE SANTANDER and DFOTO (Spain), ART COLOGNE and KUNST KÖLN (Germany), KIAF (Seoul, Korea), ArteBA (Buenos Aires, Argentina), BALELATINA (Basel, Switzerland)...etc. His work is widely represented in museums, public institutions and private collections.
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