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Printmaking, Screenprinting on Ink
Size: 11.2 W x 15 H x 0.1 D in
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Details: Limited edition of 10 Signed and numbered on the front Screenprint with graphite powder and ink on 300gsm Somerset Soft White Satin paper with a deckled edge Paper size 38 x 28.5cm, print size 20cm diameter Unframed About: Inspired by landscapes and nature with the subdued colours drawn from pebbles on Brighton beach and the blue sky at sunset, with the circle acting as a portal like window into another world. Inspiration has also been taken from the Japanese woodblock printmaking art movement known as Shin-hanga (New prints), which merged together Ukiyo-e traditions from the East with European influences. This contemporary Japanese style circular landscape art print on Somerset Soft White Satin paper, hand pulled by the artist in her Brighton printmaking studio, is the first print in this series that compliment each other when hung together. The other artworks are Moon Over The Plain and Midsummer Moon. Technique: This print was created by assembling a digital collage, made up of photographs taken on travels, before being taken into the print studio. The image was printed on a transparency and a mesh screen was coated in a light sensitive emulsion, which was left to dry in a dark room. When dry, the image was exposed onto the screen using UV light, with the black parts of the image blocking out the light, meaning that the emulsion didn’t harden on the darker parts of the image. The screen was then washed to remove any unexposed emulsion, leaving the image on the screen to be printed. Ink and graphite powder were mixed with printing medium and a squeegee was hand pulled to push the ink through the mesh on the areas of the exposed image, onto paper to create the finished screenprint.
2021
Screenprinting on Ink
10
11.2 W x 15 H x 0.1 D in
Not Framed
No
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Sherrie-Leigh Jones is an Artist and Printmaker based in Brighton, East Sussex. She creates imagined landscape prints inspired by nature and natural phenomena, and the romantic sublime. Inspiration is also drawn from Japanese prints and concepts including the woodblock printmaking movement known as Shin-hanga and Sansuiga, paintings that depict an idealised landscape using the forms of mountains, rivers, clouds and mist. Her works offer the viewer a sense of escapism and a reminder of the simplicity, calmness and enjoyment of being in nature, embodying the changing seasons and times of day with their ambient light and colours. To create her prints she assembles collages using photographs taken on her travels and walks in the English countryside, combining them with painted elements. The complete compositions are then taken into the print studio to be exposed on screens and hand pulled as screenprints, often printed with graphite powder and pigments. Jones exhibits in the UK and internationally, including the Royal Academy Summer Exhibition (2021). Work is held in Jeremy Cooper's Collection and private collections in the UK, Europe, USA and Taiwan. Her work has received support and recognition from a-n The Artists Information Company and Arts Council England (2020), Woolwich Contemporary Editions (2018), Print Futures Award (2015) and she has been commissioned by fashion label, To Be Adored (tba), which featured on the front cover of Grazia China (2013).
Artist featured by Saatchi Art in a collection
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