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Moravia explains Le Loi to Ravel - Limited Edition 10 of 14 Print

Eric Ezendam

France

Printmaking, Charcoal on Paper

Size: 17.7 W x 12.4 H x 0 D in

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About The Artwork

I have no idea whether at all Moravia ever met with Ravel, but somehow I thought they must have been interested in that very old "Law" in Latin countries that gave the master of the land the right to have the first tasting of a woman when she was about to get married (with somebody else). You have come a long way baby, this seems a long time ago as well, although it isn't. This digital lithograph I made after a large charcoal, trying to find out whether this work could have a second 'generation'. It is printed as a Giclée on the large format of 60 x 42 cm. (size of the image) in a very limited edition of 10 (still 7 available) and I printed it 14 times (10 available) on the smaller size of 43 x 30 cm. Both on High Quality Art paper and all signed and dated.

Details & Dimensions

Printmaking:Charcoal on Paper

Artist Produced Limited Edition of:1

Size:17.7 W x 12.4 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Eric Ezendam was born in Amsterdam, in the Netherlands, where he studied Art and Art history at the Rietveld Academy. Later on in Milan, he immersed himself in the world of graphic design, and through the ensuing years combined that profession with the fine Arts. He worked many years from Amsterdam, also a year in in Italy, in Rome and afterwards he travelled through many other countries. Since 2000 he has devoted his talent exclusively to fine Art, with his graphic work greatly enhanced by his knowledge of the computer. In addition to drawing with charcoal (often in large format) and terracotta chalk or Indian inks, along with oil painting on canvas, he finds the computer a fascinating medium for exploring new ways of expression. Many of his works are printed in high quality very limited editions (rarely more than 10 prints), but of course his charcoals are unica, as are his unique reworked large Giclées. “Ezendam is a master of all weapons” wrote the late Martin van Amerongen when he was editor-in-chief of the Dutch weekly De Groene. While interviewing Ezendam for his radio programme, ‘Visiting Artists in Their Studio’ art critic Toine Moerbeek exclaimed: “Those mysterious, sometimes cynical scenes you create, Eric, that’s pure theatre of the absurd. And those superb very large drawings, they are the result of a lifelong passion!”. And Gallery-owner Anne-Claire Vogtschmidt discerned in the artist’s oeuvre an almost metaphysical aspect: “Time in his work plays a different role, reality is somewhat pushed aside or backwards, and we, beautiful in our ugliness, we are put there in a loving way in this place where we haven’t been before.”

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