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Namibian Sand Bath Print - Limited Edition of 10

Roberta Jean Smith

United States

Printmaking, Etching on Paper

Size: 20 W x 25 H x 0.1 D in

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$930USD

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About The Artwork

While traveling along a dry riverbed in the Namibian Desert, I was thrilled to see a small herd of desert adapted elephants eating the greenery that they found, trees whose roots were nourished by the subterranean streams. Even more remarkable was their behavior referred to as “sand baths”, when these intelligent animals inhale sand into their trunks, then exhale it above their bodies so they stand in a sand shower until the are covered with this protective coat. The sand prevents sun burn and controls insects. This etching with aquatint and spit bite captures my interpretation. Etching is all about the power of line, its ability to spontaneously capture the artist’s energy as we draw directly through the ground covered copper plates. This limited edition of 10 prints was printed with sepia ink on Somerset paper using Chine Colle technique by Emily York and Courtney Sennish, who are master printers at Crown Point Press where I created the work..Each print is titled, dated, and signed and shipped with a Certificate of Authenticity.

Details & Dimensions

Printmaking:Etching on Paper

Artist Produced Limited Edition of:10

Size:20 W x 25 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Cleveland, Ohio, I have lived all my adult life in Los Angeles, primarily Venice and Santa Monica, where I have my art studio. As a young artist, I frequented the Art Museum and took classes at the Cleveland Institute of Art. CMA had beautiful Cezannes depicting Mt. St. Victoire, paintings that I loved. A few years ago, I spent a month in Aix en Provence, where I visited his studio and walked among the locations where he painted of the mountain and quarries. What a great painter! Much to Zola's bemusement, Cezanne painted St. Victoire for 20 years...the same subject...but always working with underlying geometric forms interacting with color. While I am no Cezanne, I, too, paint the same subjects repeatedly, always seeking to interact shapes and color to create a sense of space and energy. These subjects are inspired by extraordinary visual effects found in nature, usually while traveling: Spectacular Aurora Borealis in Iceland; Fantastic Fairy Circles on the Namibian desert. My Fairy Circles thème recalls another great artist, Sonia Delaunay, who created the first truly abstract painting in 1912. Her pioneering works continued the exploration of interacting colors with geometric shapes (with circles a predominate one). I am an abstract landscape painter using visual cues of relative contrast, overlapping shapes, complementary and derived neutral colors and other elements of perception I first learned from Ed Mieczkowski, one of the pioneers of the Op Art Movement, but I apply paint like an abstract expressionist. Painting technique is very important...I love mixing colors and applying glazes...and I'm very fussy about my brushes and paint consistency. In that sense, I am a traditional painter, not into digitized mixed media, even though I have an extensive background in computer applications. Recently, I have renewed my interest in blockchain technology, and I am fascinated by how NFT's have taken hold in the art world. I have some IP in that area, so I am thinking about venturing into superrare.com spaces. Stay tuned. Another passion is protection of rhinos. I actually went to Namibia to photo rhinos, which I did, and met rhino rangers in the Huab Conservancy. I love these endangered creatures, and I am working on a series of rhino etchings that I call "Cloudwalker". Printmaking is another interest. It requires draftsmanship and technical knowledge, which I have mastered to some degree.

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Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles, Virtual, Los Angeles

Artist featured in a collection

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