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View In My Room
Printmaking, Ink on Paper
Size: 23.4 W x 33.1 H x 0.1 D in
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No Job (ciggies) is from my collection of 'Trashy Ladies' paintings. A celebration of my working-class female identity and those who don't necessarily fit into the 'norm'. I like to challenge the idea of beauty and re-think my own approach to what makes us beautiful. My 'Trashy Ladies' as strong women who empower the next generation to be authentic in their being. Women who object to be categorised because of their behaviour or appearance, courageous, strong and inspirational women. Giclèe prints of original painting on A1 Olmec Archival Matte 230gsm paper Paper size: A1, W 59.4 x H 84.1cm Image size: W 56 X H 76cm This series is from my wider art practice titled 'Cut Before It's Grown' ‘Cut Before It’s Grown’ is a self-reflective series which explores my mental health and lived experiences; it is a journey into an unconventional adolescence and those ‘things’ that just stay with you forever. The aim is to make sense of my own life experiences: dealing with grief, coming from a working-class background and the impacts of being reckless as a youth.
2023
Ink on Paper
50
23.4 W x 33.1 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
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As an artist I’m passionate about delivering work that represents my own self through paintings involving multiple layers of expressive mark making alongside controlled line work inspired by my short stint as a tattoo apprentice. I try to combine both fine art and illustrative techniques. I have always been inspired by street culture and its subcultures as well as the history of creative culture within skateboarding, as a skater myself. Not just art created in these cultures but the ethos, concepts and experimentation from film makers, musicians, designers and spaces in which exist because of it. My work often references words and text taken from songs and films which resonate with my life experiences. My 2D work also develops into 3D practice using wood, plaster and Jesmonite. These sculptural works are mostly created using mould making and casting methods of manipulated, existing objects. 3D work enables a level of tactile work which can’t be achieved as well in paintings/drawings. It's these textures and forms which help present my messages. I'm also the founder of the It's OKAY Project which is a creative mental health project.
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