Our Birds Print - Limited Edition of 50

who immigrated our birds Under this title, I used human-headed bird drawings in Seljuk tile motifs. With this drawing, we are forced to migrate because of the same problems as the birds that had to migrate. birds migrate for weather conditions and breeding habits. Our only concern is the desire to immigrate to countries that offer reasonable conditions. The Seljuk period was a very rich period in terms of art and culture. During this period, many different elements of the works coexisted. The human-headed bird is among the many tile motifs of this period. There are various theories as to why the human-headed bird figure was frequently used in this period. Some scholars consider this figure to be one of the first religious depictions that emerged with the Turks' conversion to Islam. Human figures are rarely encountered in Islamic art, so bird and animal figures are often used instead of human figures. In addition, bird figures were generally used in many motifs throughout the Seljuk period. These figures also point to the animal husbandry and hunting culture of the period. Bird figures also contain a rich symbolism as they are flying creatures thought to be a closer model to God. As a result, the use of the human-headed bird figure in the tile motif of the Seljuk period has different reasons in terms of the tradition of not including the human figure in Islamic art, animal husbandry and hunting culture, and symbolism.