347 Views
0
View In My Room
Printmaking, Screenprinting on Paper
Size: 35 W x 20 H x 1 D in
Ships in a Crate
347 Views
0
Showed at the The Other Art Fair
Artist featured in a collection
Limited Edition of 50. Through tearing, the white paper reads as low-hanging clouds in two views of the mountain and also becomes an illusion of itself though a printed illusion of a fold. This enabled a play on the illusion of reality in all artwork by establishing the viewer’s perspective (one from the earth/the other from the air) of the dimensional landscape on a flat surface and then negating it by the illusion of a folded edge of the paper on which it is printed. The tearing also negates this illusion since the mountain peaks poking through the paper clouds are torn out so that this layer appears to float on a background page. The split fountain is printed on a diagonal (a different diagonal on the foreground mountain ranges than the tops of the mountains) to suggest 3-dimensional mountain ranges as seen from two viewpoints. Inner and out tears are used as well as cutting with a blade.
Screenprinting on Paper
1
35 W x 20 H x 1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Sandy Bleifer received her B.A. in Fine Arts at U.C.L.A. in 1962 and worked as an Artist in Residence, an art teacher, docent and publisher of curriculum materials in the arts. With the support of “Space”, a seminal Los Angeles gallery under the direction of Edward Den Lau, she exhibited and sold her work from the early ‘70s through 1997. The artist's work is in over 200 private and public collections worldwide. Her personal idiom began with silkscreen, collage and an exploration of of paper: a continuing discovery into its complex nature and its ability to serve as a metaphor for the world around us. Early in her career as an exhibiting artist, social and political activism crept into the mix. Soon she began creating art installations that became a focus and galvanizing force for the reconsideration of major historical events: the Holocaust and the bombing of Hiroshima and Nagasaki. In the mid-1990s she focused her attention on a pivotal moment in Los Angeles’ contemporary history: the revitalization of downtown LA. Now in recent years, she is further imbuing her art with a pro-active agenda using interactive installations, video and community engagement with threads that can be seen in her prior aesthetic concerns – paper as a metaphor for life, environment and the human condition.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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