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Santa Fe Festival Burro Poster (archival print) Print - Limited Edition of 1
United States
Printmaking, Archival Print on Paper
Size: 17 W x 23 H x 0.1 D in
Ships in a Crate
About The Artwork
What better way to celebrate a 300 year-old Santa Fe, New Mexico annual festival than with a Hulings burro? This shaggy guy, standing in the direct sun and casting a shadow on the dry ground, is wearing a beautiful red-orange woven saddle blanket with a matching red tassel on the forehead of his bridle. The calligraphy and the alternating tan-gray bands of the poster layout are beautiful examples of 1970s vintage, pre-digital graphic design. "Las Fiestas de Santa Fe" start, and end, with Catholic masses and processions and include mariachi bands and the burning of "Old Man Gloom" marionette long before Burning Man was a twinkle in a hipster's eye. Printed on paper in limited editions and signed.
Original Created:1977
Subjects:Animal
Materials:Paper
Styles:RealismFigurativePoster Art
Mediums:Archival Print
Details & Dimensions
Printmaking:Archival Print on Paper
Artist Produced Limited Edition of:1
Size:17 W x 23 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clark Hulings (1922-2011) was born in Florida and raised in New Jersey. Over his lifetime, he resided in New York, Louisiana, and throughout Europe before settling in Santa Fe in 1972. Clark’s ability to see beauty in daily human gestures and activities won him the appellation “master” on numerous occasions. His celebration of textures as expressed through light, shadow, and atmosphere “describes the air itself,” according to the Christian Science Monitor. His range of subject matter was astonishing, “No one does as many things as well,” proclaimed Southwest Art. His modesty in the face of such acclaim was legendary. Throughout his career he maintained a personal profile far lower than his national reputation.
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