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Printmaking, Monotype on Paper
Size: 19.7 W x 8 H x 2 D in
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This bass was caught on a line by a local fisherman here in North Wales. It was caught on the Menai Stait. Bass are my favourite fish to print, the definition you get on the scales is wonderful. I made this print by first taking an impression from the surface of the fish onto a washi paper. That print then needs to be flattened out. I do this using the uruachi method which requires me to adhere the print to a second sheet of paper using a flour and water glue, this is the method they have used for 100's of years in Japan. The second sheet here is a Japanese Masa paper. Once dry, the work is then sliced in half (a nerve wracking moment!) and glued using a ph neutral glue to the boards. It is then left to dry and again before sealing with a paper medium. I've used a high quality acrylic ink to make the original print. The prints are then framed in a box frame which is oak stained. Each panel measures 8x10inches, 20.32x25.4cm framed depth is about 5cm. The overall finish of this work gives it a very different feel to my other work and I've been trying to create this sort of effect for my work for sometime. So I'm really pleased to be able to offer this one for sale. I'm confident it would be suitable for a bathroom, kitchen or any room in the home in fact. Perfect for a seafood lover, coastal location or someone who likes fishing.
Monotype on Paper
One-of-a-kind Artwork
19.7 W x 8 H x 2 D in
2
Brown
Yes
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Jane Evans – Biography Jane studied for her fine art degree at Manchester School of Art. She was a latecomer being 43 when she graduated. Her work consisted mainly of water colour at this time. For her degree show she was awarded the Ken Billany painting prize. Shortly after the completion of her degree, she moved to Anglesey with her husband David. A busy few years then followed where she was an integral part of the team setting up Dylan’s Restaurant which is owned by her husband David and his business partner Robin. Jane bought many creative ideas to the business including her much loved collection of North Wales holiday photographs which appear in each of the three restaurants. It was during 2017 when they were working on the Llandudno restaurant, that Jane discovered the Gyotaku print making method. Since 2017, although continuing to paint, Jane has found herself spending more time working using the Gytoaku printing method. She has perfected the technique now and is one of few artists internationally that uses this method to print lobster and other shellfish which due to their rigid, three dimensional nature are notoriously hard to print from. Off the back of the Anglesey Open Studios in 2022, where Jane opened her garden studio to visitors and showed her Gyotaku printing, she has now settled on working harder with this method of printmaking. Not only to improve her technical ability but to think more about how this work can reflect the landscape in which she lives. Working with a local fisherman, with each print she makes she now provides a photograph of the specimen or specimens and information on where they were caught or gathered and by whom and on what date. Providing this detail gives the work greater provenance. While many Gyotaku artists work in monochrome, almost making a scientific recording of the specimen, Jane brings in her painterly training using her specimens almost like canvases on which she blends and plays with the inks. Jane is attending the Manchester Art Fair in November 2022 and has an exhibition in Oriel Ynys Mon in April 2023 and continues to seek new opportunities for her work.
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