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Printmaking, Dye Transfer on Fabric
Size: 16.9 W x 25.6 H x 0.2 D in
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126 Views
4
T-shirt on transversality and the utilities of cantemporary creation. Wear it until it falls apart! Exclusive black unisex T-shirts with white lettering. Please tell us the size you want: XS, S, M, L, XL With signed certificate of authenticity. COA Price is per unit revelar y rebelar (reveal and rebel) In the Spanish language Revelar (Reveal) and Rebelar (Rebel) are homophones - that is, they are pronounced in the same way despite being spelled differently. Revelar (Reveal) means to uncover or show something that was unknown, something which was hidden or secret. A truth is revealed, a clue, a sign... In its pronominal form, revelarse, can take on the meaning of showing or shedding light on something that was concealed and/or had gone unnoticed. Rebelar (Rebel) means to rise up or revolt against something or someone. In its pronominal form rebelarse, is equivalent to resist, to disobey or to refuse to follow certain customs or orders. Rebellion as a credence and a deeply held conviction to change and to be in favour of civil disobedience. Hence we have proposed a new word, inventing a new letter which takes on the dual function of V and B to join all these meanings in a single sound linked to the letter T (which echoes the sound of the pronoun you or yourself in Spanish) thus relating to the idea of individual introspection, the act of revealing oneself (revelar-T) in a quest for self-recognition, self-knowledge and personal identity, and as a consequence of which, we are lead to the act of personal rebellion, rebelar-T. Rebel arT A concept completed by reading about the idea of rebel art; art which is marginalized, peripheral and dissident, which at the same time calls upon art to reveal itself, revel-arTe, to reveal its authentic and true primordial function to show, to teach and to divulge profound knowledge regarding the evolution of time.
Dye Transfer on Fabric
250
16.9 W x 25.6 H x 0.2 D in
Not Framed
No
Ships Rolled in a Tube
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Imanol Marrodán. Bilbao 1964, Basque Country. An interdisciplinary creator and researcher, he carries out, among other activities, critical work through various events related to art and contemporary thought as part of his personal creative project. The concept of limit, inspired by the idea of the ancient Roman "limes", cited by the philosopher Eugenio Trias as a metaphor for a civilised and rationally controlled knowledge, is the starting point of a concept of limit that is not understood as the end of something, but as a means for the "beginning" of growth and evolution. This idea of searching and exploring the unknown and of personal identity related to natural processes and rhythms is the central theme of Imanol Marrodán's work. The aim is to create an atlas of meanings that is increasingly broader and with different meanings. We propose the construction of a metalanguage that encompasses the different stages and experiences lived as mental structures metaphorically formed by Euclidean geometries and at the same time also by structures of fractal and organic intuitive thought. It is the process of forming an experience that shares a socio-political habitat in an industrial, materialistic, technological and artificial world, as opposed to a natural environment closely linked to the laws of the universe, which we hardly know, but which we still feel and intuit. The conclusion and priority of Imanol Marrodán's creative project is to highlight and bring to light the different uses, utilities and practical applications of contemporary creation as one of the essential driving forces behind the future of a social, political and economic community, helping to determine its changes and evolutions. He has exhibited in countries such as the United Kingdom, France, Germany, Portugal, Belgium, Korea, Argentina, Chile, Switzerland and the United States. His work has been shown in international contemporary art fairs such as ARCO, VALENCIA ART, ARTE SANTANDER and DFOTO (Spain), ART COLOGNE and KUNST KÖLN (Germany), KIAF (Seoul, Korea), ArteBA (Buenos Aires, Argentina), BALELATINA (Basel, Switzerland)...etc. His work is widely represented in museums, public institutions and private collections.
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