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View In My Room
Printmaking, Woodcut on Paper
Size: 34.6 W x 23.6 H x 1.2 D in
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366 Views
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Artist featured in a collection
This image is hand printed with a dojang (Korean stamp) on hanji (Korean paper) using inju (Korean printing ink). It is mounted with white mount board and framed with a simple black wooden frame. The students that survived are rarely reported on now, and rightly so, but the media was criticized for its initial coverage of the Sewol tragedy, reporting that all passengers were rescued safely. In this image, the faces are left blank and unidentifiable – much the way I vehemently believe the media should have left them to come to terms with the crisis. This was an appalling act of journalism, with reports of some survivors being hounded by reporters and photographed without consent, in what many believe to be highly unreasonable circumstances. The symbol used to construct this image is ‘悲歎’ (비탄) which is the Chinese symbol for ‘grief’. I chose this photograph to work from as it strongly discloses the feelings of loneliness and dependence as they come to terms with the disaster. 작품의 소녀들은 현재까지 드물게 알려진 생존자다. 그러나 정작 미디어는 최초 보도는 모든 승객이 안전하게 구조되었다는 오보였으며 이는 비난의 대상이 되었다. 이 이미지에서 얼굴들은 가려지거나 흐릿하게 표현되었다. 개인적으로 분명 미디어 역시 비극적 사건임을 반영하여 이처럼 익명성을 보장했어야 한다고 생각한다. 그들의 수백 명의 기자들이 아무런 동의 없이 생존자를 둘러 에워싸고 보도에 열을 올리는 행태는 폭력적인 저널리즘적이었고 도무지 이해할 수 없는 현상이었다. 이 이미지를 구성하는 상징어는 깊은 슬픔을 의미하는 한자어 '비탄'이다. 비극을 마주한 소녀들은 생존 이후의 고독과 위안이라는 양가적 감정을 느꼈을 것이고 이를 작품에 담았다.
2015
Woodcut on Paper
1
34.6 W x 23.6 H x 1.2 D in
Black
Not applicable
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Martyn Thompson is an artist and photographer from the U.K. who established himself as an artist in Korea. After graduating from Northampton University, UK in 2007, with a degree in fine art, winning an award for his final show exhibition piece 'Moulding Myself' he moved straight to Korea. Upon graduating, Martyn pursued his personal studies of Korean video artist Baik Nam June. Producing art and finding exhibiting opportunities in a foreign country was difficult, because at the time there was little activity amongst fellow expatriate artists. A lot of perseverance was required, and after partaking in a few group exhibitions with the International Art Community, Martyn held his first white wall solo exhibition in 2011 at Gallery I in Insadong, Seoul. Despite some minor language communication problems, Martyn has continued working with the Gallery I owner, and forged a strong relationship to create more opportunities for foreign artists living in Korea. He is now considered a very reliable asset and communicative body by several galleries and foreign artists living in Korea. Martyn has exhibited extensively across the country since 2009, putting on four solo exhibitions, partaking in around twenty-five group exhibitions, and having just completed his fifth solo exhibition April 2015. In 2012, Martyn curated two exhibitions in Seoul and co-curated a further two in other cities across the peninsula as well as establishing the Professional Artist's Network Korea. PANK has now grown to include over eighty artists from fifteen different countries in just over two years, and is run by Martyn with a team of six dedicated volunteers. Martyn has curated a further seven group exhibitions, and helped a further five artists to hold solo exhibitions while continuously developing the PANK website and providing a vital resource for English speaking artists living in Korea. Martyn moved back to the U.K. in the summer of 2016 with his family and has recently begun working on a new series of images in a new style.
Artist featured by Saatchi Art in a collection
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