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The Little Mermaid – Limited Edition 1 of 100 Print

E-L Cartwright

United Kingdom

Printmaking, Giclee on Paper

Size: 12 W x 15.9 H x 0.1 D in

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About The Artwork

"Far out in the ocean, where the water is as blue as the prettiest cornflower, and as clear as crystal ..." The story of the The Little Mermaid by Hans Christian Andersen, told within one painting, a delicately detailed literary interpretation of a timeless tale of love and sacrifice. This is a signed limited edition Giclee print on high quality, acid-free 100% cotton Somerset Enhanced Velvet paper (225 gsm) using genuine, archival Epson pigment inks. It has a plain border around the image of approximately 2.5 cm for ease of handling and framing, and comes with a certificate of authenticity. Image size: 15.9" x 12" (40.5 cm x 30.6cm) Paper size: 17.8" x 13.9" (45.4 cm x 35.5 cm) Unframed.

Details & Dimensions

Printmaking:Giclee on Paper

Artist Produced Limited Edition of:1

Size:12 W x 15.9 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Art is a place I can be free from the constraints of everyday life and enter a world of the imagination. Dreams and the subconscious provide a deep well of ideas, with the subjects of time, childhood, nature and mortality echoing throughout my work. Over the years, there have been several different thematic periods to my output, with a variety of media chosen according to my aims and interests at that time. In Vincent Dreams of Sunflowers, for instance, I favoured the delicacy of pen and watercolour to create detailed imagery rich in symbolism. By contrast, in a recent series of oil pastel and acrylic paintings, I employed bold colours and deliberate clean lines to convey meaning through shape and form. The hawk-like figure that occurs early on in my work reappears again, as do several familiar motifs including eyes and masks, reflecting my fascination with the seen and unseen. Of late – and with the discovery that my great-grandfather was a lithographic artist – I have become increasingly drawn to the process of printmaking. Preferring the starkly unadorned images achievable through relief printing techniques, I have expanded my portfolio to include a number of original linocuts. As an admirer of William Blake, my painting and poetry often go hand in hand, their symbiotic relationship resulting in a number of combined projects that can stand together or alone. Ultimately, to me the blank canvas – like the empty page – represents endless possibilities for creation; here I can express and share alternative perceptions of life through visions, dark or dream-like, playful or thoughtful.

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