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Large wood block printed on very thin, semi-transparent washi paper. The second more pigmented layer at the top is created by layering a second print between two thin sheets of paper. The bottom is cut to shape and is irregular (not square). Print can be displayed on its own or framed. 


Each piece is printed by hand and has unique marks. Some details may differ slightly from image pictured. If paper wrinkles, just mist with water while hanging, and it should straighten out.
Large wood block printed on very thin, semi-transparent washi paper. The second more pigmented layer at the top is created by layering a second print between two thin sheets of paper. The bottom is cut to shape and is irregular (not square). Print can be displayed on its own or framed. 


Each piece is printed by hand and has unique marks. Some details may differ slightly from image pictured. If paper wrinkles, just mist with water while hanging, and it should straighten out.

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Touching - Limited Edition of 4

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Touching - Limited Edition of 4 Print

Emily Shopp

United States

Printmaking, Woodcut on Paper

Size: 40 W x 67 H x 0.1 D in

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This artwork is not for sale.
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About The Artwork

Large wood block printed on very thin, semi-transparent washi paper. The second more pigmented layer at the top is created by layering a second print between two thin sheets of paper. The bottom is cut to shape and is irregular (not square). Print can be displayed on its own or framed. Each piece is printed by hand and has unique marks. Some details may differ slightly from image pictured. If paper wrinkles, just mist with water while hanging, and it should straighten out.

Details & Dimensions

Print:Woodcut on Paper

Artist Produced Limited Edition of:4

Size:40 W x 67 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Using print and collage with organic imagery, I construct thoughtful visual spaces. Drawing from my experience with anxiety, I am interested in our psychological relationship with the natural environment. I experience calm through immersion in nature and the collection of organic materials. Variation, repetition, and layering of delicate natural linework with semi-transparent paper creates converging lines and shapes that culminate in endless pathways for the eye and mind to follow. The nature of these compositions requires close, quiet consideration. By harnessing the calming effect of natural objects and environments, I invite the viewer into an intimate meditative space.

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