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Untitled (Natural History Museums Series) Print - Limited Edition of 11

María Fernanda Pallares

Uruguay

Printmaking, Etching on Paper

Size: 7.9 W x 5.5 H x 0.1 D in

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$250

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ABOUT THE ARTWORK

This is a photogravure hand pulled on a traditional etching press. This is print number 1, part of a limited and varied edition of 11 prints, each with intentional differences resulting from the way the artist inked the copper plate. Fernanda used different colours, sometimes just black etching ink, sometimes with brownish ink. The image was made from a photograph she took in the Natural History Museum in London, that has a beautiful bilding constructed as a `cathedral to nature’. Please pay attention to the size of the paper with the white margin. Paper size: 13,4inches x 13,4 inches (34cm x 34cm) Print image size: 7,9 inches x 5,51inches (20cm x 14 cm) A photogravure is a print made by hand from a copper plate used as a matrix. The process, also called ‘photogravure on copper plate’, sometimes ‘heliogravure’, was developed in the 19th century. The technique involves working with a sensitized gelatin and etching a copper plate with a mordant that leaves a bas-relief in the metal. It is this bas-relief that will contain the ink that will be transferred to the paper by passing it through a press, in the same way as a ‘traditional’ etching. The way the ink is transferred to the paper, intaglio style, provides a powerful surface to the print. Please, feel free to ask.

DETAILS AND DIMENSIONS
Printmaking:

Etching on Paper

Artist Produced Limited Edition of:

11

Size:

7.9 W x 5.5 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

María Fernanda Pallares is an Uruguayan artist who focuses her artistic practice on printmaking and approaches photography from a perspective in which manual work predominates. Fernanda pays special attention to the material supports and techniques that give us a more tactile and intimate experience with photographic images. Combining it with contemporary techniques, Fernanda takes advantage of a late 19th century procedure called Photogravure on copper plate. This is a printing technique so cumbersome that, despite being appreciated for its beauty and the character it gives to the surface, it is currently practiced by few studios in the world. This exceptional nature gives the results of this printing process an additional symbolic meaning. You can consult the site which is an excellent source to spread the qualities for which photogravure prints are so appreciated.

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