VIEW IN MY ROOM
United Kingdom
Printmaking, Giclee on Paper
Size: 13.6 W x 10 H x 0.1 D in
Ships in a Tube
Artist Recognition
Artist featured in a collection
This detailed illustration is based on Van Gogh's painting of the Yellow House in Arles, which no longer exists, and which I visited on a Van Gogh pilgrimage in 20007. I wrote a short story as part of a collection afterwards about a young artist's obsession with the colour yellow, which drove him to the point of madness. This illustrated work is the result. Sunflowers creep into every nook and cranny of the artist's bedroom, both alluring and threatening at the same time. This is a signed, limited edition Giclee print on high-quality, acid-free Innova Fiba Print Ultra Smooth Gloss paper (285 gsm) using genuine, archival Epson pigment inks. Each print has a plain border of approximately 1.2" (3 cm) around the image for ease of handling and framing and will come with a certificate of authenticity. This edition has been specially cropped so that the sunflower "footprints" (bottom right of the image) appear to walk out of the picture. Image size: 10" x 13.6" (34.7 cm x 25.4 cm) Paper size: 15.9" x 12" (40.5 cm x 31.1 cm) Unframed.
Printmaking:Giclee on Paper
Artist Produced Limited Edition of:100
Size:13.6 W x 10 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Art is a place I can be free from the constraints of everyday life and enter a world of the imagination. Dreams and the subconscious provide a deep well of ideas, with the subjects of time, childhood, nature and mortality echoing throughout my work. Over the years, there have been several different thematic periods to my output, with a variety of media chosen according to my aims and interests at that time. In Vincent Dreams of Sunflowers, for instance, I favoured the delicacy of pen and watercolour to create detailed imagery rich in symbolism. By contrast, in a recent series of oil pastel and acrylic paintings, I employed bold colours and deliberate clean lines to convey meaning through shape and form. The hawk-like figure that occurs early on in my work reappears again, as do several familiar motifs including eyes and masks, reflecting my fascination with the seen and unseen. Of late – and with the discovery that my great-grandfather was a lithographic artist – I have become increasingly drawn to the process of printmaking. Preferring the starkly unadorned images achievable through relief printing techniques, I have expanded my portfolio to include a number of original linocuts. An admirer of visionary artist William Blake, my painting and poetry often go hand in hand, their symbiotic relationship resulting in a number of combined projects that can stand together or alone. I am also an original member of Blake for Artists, which is a peer-led learning group that meets every Monday evening on Zoom to discuss the works of William Blake, who lived for a time in Felpham, West Sussex. Ultimately, to me the blank canvas – like the empty page – represents endless possibilities for creation; here I can express and share alternative perceptions of life through visions, dark or dream-like, playful or thoughtful.
Artist featured by Saatchi Art in a collection
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