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0215 Sculpture

Natalia Popova

France

Sculpture, acrylic on Wood

Size: 39.4 W x 39.4 H x 4.7 D in

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488 Views
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About The Artwork

In each of my works I show the paradox which lies in the ability of dead plastic to create the feeling of being not real, but at the same time alive, as if breathing. What gives rise to this feeling of being alive? How is the knowledge of the living experienced? Why has man lost touch with nature and how shall we get it back? I show not the surface, but the processes of nature's activity hidden from the eyes. I observe the development and destruction of natural forms, the growth of plant tissues, hearths and rocks, the movement of waters. Those states that I absorb with observation are connected with a technique where four elements work: soaking materials in liquids, burning and melting fire, blowing warm air, stabilizing stones and gypsum. Often, plastic is used in the work, which is discarded in forests and reservoirs. He has already experienced the transformation under the influence of the forces of nature and began to live. I relay it in my works, revealing this acquired aspect of liveliness. I have been practicing meditation, yoga, tai chi for a long time. This allows you to experience deep states of connection with nature. My meta-task is to make those who look at my work feel this state.

Details & Dimensions

Multi-paneled Sculpture:acrylic on Wood

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 4.7 D in

Number of Pieces:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Natalia Popova (b.1988) lives and works at St. Paul, France and Moscow. Her works have been displayed on exhibitions and galleries in France, Switzerland and Russia since 2015. Popova creates large sized wall sculptures for private collections and public spaces, as a side project she also creates small sculptures and jewelry from recycled plastics. Her work in art was preceded by a background in interior design and architecture. Before art practice she has got MA in economics. Also, she has mastered in meditations and professional yoga teaching, that profoundly influence her creative work. The colorfulness of the eucalyptus bark, the tenderness of the moss and the coldness of the soil. The truth breathes through it. She is silent and invisible. It only breathes, and with its breath it lifts the sap up the trunks of young trees and rubs the fallen leaves into dust. I crumple and twist the fabric to touch this breath. When it comes through the paintings, I can feel it in my feet, but I don't know how it happened. There are four components to each sculpture: material, light, space, and body. The material is both an opportunity and a limitation. The material is the basis that makes it possible for being to manifest itself. At the same time, the material restricts and hides existence, conceals it with its structure, just as the earth hides its juices. The light illuminates the material. The Light makes it manifest. The light is reflected only from the surface. The surface is an invitation that leads to the depths. The space is the place where the sculpture is located. But sculpture is also the place where the space is located. A thing and a space need each other. The body is place where all the paradoxes meet and resolve. The body is something that experiences "here" in this space, what captures " now " in this light. The sculptures are not valuable in themselves. Sculptures are the cradle in which the being of the material grows. What does it mean for paint to be itself? Bloom in the sun or electric lights. What does it mean for plastic to be itself? Transform, becoming flexible or rigid. What does it mean for a stone to be itself? Lie heavy on the ground and push the water out from under. What does it mean for a painting to be itself? To grow into the space where it is located, and to make itself felt. In the geological depths, the remains of organisms are transformed into oil for millions of years.

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