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Amphora of the Deities Sculpture

Manjula Muir

United Kingdom

Sculpture, Ceramic on Ceramic

Size: 5.1 W x 6.3 H x 5.1 D in

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About The Artwork

This classical piece with a contemporary twist, comes under the 'Timeless' range of the 'Transience' collection which reveals my interest in ancient objects from archaeological findings of lost worlds. Some are based on articles I have observed and studied from many museums around the world on my travels. My work is both contemporary and ancient. They combine different cultures seemingly holding within them precious oils and ancient wines. The rounded forms are witness of the pleasure and serenity felt during their creation. The pot has an ephemeral beauty but I hope by bringing it to life in this context that it will convey to the viewer the passage of time and ultimately the evanescent nature of life. Amphora of the Deities This is a hand built stoneware piece which was finished off on the wheel. I work with stoneware as it has a durability and strength that I like and is conducive to the high-firing and often experimental techniques that I use in producing my work. The body of the completed pot was later covered with finely sifted clay soil from my garden to give a rough sandy textured feel to it, to contrast with the smooth decorative balls which were all hand rolled and arranged on top of the hollow pot, just prior to sealing the opening I have dropped a small round ball which can be heard ringing inside the pot if shaken. A calling to the deities from within! After the initial firing to 1000c it was painted with diluted washes of iron oxide and the balls painted with a mixture of metal oxides to give a smooth lustrous metallic golden hue to its surface in touches. This is to give a feel of opulence as an item that may have had a respected position in the high temples of the lost world. The piece was finally fired to 1260C making it waterproof and can therefore be washed with water to clean off dust if required. This is a small amphora-like vessel that I imagine would have been used in temples of Babylon, possibly holding offerings of aged wines to appease the gods. It is an original work of art which is both contemporary and classical and would look equally nice in a modern minimalistic or traditional setting. Despite the rough and rustic look of the base. It has been ground down to create a smooth finish so that it can be displayed on a flat surface, a cabinet with lighting, or on a pedestal, without scratching.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:5.1 W x 6.3 H x 5.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Paddington, London, but spent my formative years in Sri lanka and returned to the UK with my family when I was 7. The unspoilt nature that was the Garden of Eden which I remember as my playground at our home in Sri Lanka has left a lasting influence on me. I grew up in the 70's and 80's in Essex with my family and graduated from the University of Dundee. After initially following a career as an accountant, in 2003 I embarked on my long term passion for art and creativity that I had since childhood. Although I am largely self taught, I studied further into ceramics at the University of Hertfordshire in 2008 and City Lit London in 2014 and picked up skills from studio potters here in the UK, as well as in Sri Lanka, Nepal and Japan. My mum was a dressmaker and designer and I have fond memories of my preschool years spent at her dressmaking school playing with her students and the colourful fabrics, which was my initial introduction to creativity. I also remember being encouraged to make the toys we played with from coconut shells and all matter of plant materials found/that fell from the trees in our garden in Sri lanka by my nanny. My love of ceramics eventually took me to Japan in 2003 to observe the various ceramic techniques and works of the famous potter Soji Hamada in Mashiko. There I acquired the techniques and confidence of working with different materials, which enabled various forms of expression. My work consists of unique and original handmade pieces made from stoneware and porcelain clay. I fire my work in an electric kiln in my studio. The first firing is to 1000c and the final stoneware firing is usually from 1260c to 1300c. I use stoneware clay as it fires high, which enables it to be waterproof, and has a strength and durability that I like, and compliments the experimental way in which I work, pushing the materials to their limits. I use various techniques and surface decoration to create the illusion of age and decay through the passage of time. Some of the pieces are decorated by glazes that I have made from raw materials found within my local surroundings and the body of some items has within them the clay from the soil in my garden in Hertfordshire. In using the same methods and materials as the ancient masters and manipulating the medium in this way it gives me a unique perspective and insight into the world of the forgotten craftsman of a bygone age.

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