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An inward journey Sculpture

Ahn Kyung moon

Sculpture, Steel on Stainless Steel

Size: 29.5 W x 39.4 H x 19.7 D in

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318 Views
10

About The Artwork

An Inward Journey The theme of this work takes the form of a Buddhist in Zen meditation, or the form of any silent ascetic in meditation or in deep concentration. Buddhists in temple rooms or monks in monasteries lead a silent, ascetic life in order to obtain answers to their religious questions. As words increase, so reality becomes exponentially hollower. Those meditating become silent, look inward and listen to the basic sound of life, which resonates from deep within. Today we live in an age of endless competition. Not only do we expose, unearth and rattle on about everything, we also do not hesitate to exaggerate about ourselves. We live in an age where we survive only if we promote ourselves incessantly. We all become pornography. Living day after day in this disintegrated social structure creates gradual detachment from our real selves and causes us to become hollower. For a moment I step aside from my daily routine and listen to the inner sound: the sound from time immemorial. I have cut strips of stainless steel into small sections, argon-welded them into the form of a human body and have ground the surface. To symbolise evidence of restoration of life I have used the motif of a leaf sprouting from a small twig on a round, hard, natural stone. The stone is placed inside the lower part of the abdomen and the twig is made of copper.

Details & Dimensions

Sculpture:Steel on Stainless Steel

Original:One-of-a-kind Artwork

Size:29.5 W x 39.4 H x 19.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

AHN Kyung Moon's work Explores the reasons and bases of human existence Ahn has been interested in the psychoanalytic viewpointof Freud which he first came across in his 20's. Ahn's work reflects his analyses of the inner workings of the human mind, thesubconsciousness of individuals and society. In his work, Ahnuseshis analysessymbolically to express his views on human existence. He has interpreted in his work the structural contradictions and conflicts in human society from the viewpoint of religion and human nature. The themes of the first solo exhibition held in 1998 were reality, illusion and transcendental self. Yearning to transcend and be purified through religion fromnatural desires and suppression was expressed by a variety of materials and methods. The title of the second solo exhibition in 2001 was "˜Road', which expressed asceticism and the process of sublimation of individuals approaching the Absolute in their lives as pilgrims walking through a desert. The material used was Korean traditional paper. The third solo exhibition in 2004 dealt with two themes,"˜silence' and "˜relationship' under the paradoxical title of "˜Sound of Silence'. Silence embodyingdesire and despair of individuals living today was expressed as insects or mummies wrapped and trapped in blue cling film- like cocoons. Relationship was expressed as conjoined human forms and animal forms that were made by wrapping the frames with black plastic. Both silence and relationship metaphorically expressed various psychological states felt in human lives as social animals. The title of the fourth solo exhibition in 2010, "˜Inner Landscape'had a double meaning. Mainly steel and stainless steel lines were used to create an unrealistic atmosphere from an ordinary scene of a room. It was an interior of a room but at the same time it represented an internal state of mind of individuals, who were isolated and suffered amongst material richness of contemporary society. Current work metaphorically expresses various states of mind of individuals in social relationships and the theme is extended to the relationship between the natural environment and humans. Through the relationship between the human beings and nature, the meaning of life and its precious value is also expressed.

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