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Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.

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Appearance of Being No.4 Sculpture

Mike Sasaki

Canada

Sculpture, Wood on Wood

Size: 5 W x 4.5 H x 5.5 D in

Ships in a Box

SOLD
Originally listed for $605

160 Views

29

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a j...

Year Created:

2019

Subject:

Abstract

Styles:

Abstract

, 

Abstract Expressionism

, 

Fine Art

, 

Modern

 

Mediums:

Wood

, 

Wood

 

Medium:

Sculpture, Wood on Wood

Rarity:

One-of-a-kind Artwork

Size:

5 W x 4.5 H x 5.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

Need more information?

Contact us.

Need more information?

Contact us.

Art website: mikesasaki.com I was born in Toronto, Canada. I graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. I lived in Tokyo, Japan for 5 years where I was immersed in traditional and modern Japanese culture. The martial arts philosophies have strengthened the peaceful aspects of my sculpture. In my search for a hands-on approach to life and work, I had found sculpting in wood like an epiphany. I am currently living in Metro Vancouver and focusing on the metaphysical line of wood sculptures. Art website: mikesasaki.com

Artist Recognition
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