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Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.
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Appearance of Being No.4 Sculpture

Mike Sasaki

Canada

Sculpture, Wood on Wood

Size: 5 W x 4.5 H x 5.5 D in

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SOLD
Originally listed for $635
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152 Views
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About The Artwork

Opening or closing, moving or motionless, Appearance of Being No. 4 stands freely with asymmetrical structural balance—holding itself up, in all its parts, as a dynamic and harmonious entity. Art by human, Into its depth we stare, Not knowing which way it flows Nor which face is front. Sharing a journey of existence With each other in joy and balance, Celebrating life in its mystery And beauty. Fleeting moments, Images, ideas and forms Come and go in time— Flashing in and out of the physical arena. Energy and material, dancing unceasingly together In a cosmic show of popularity, Day or night, rain or shine, The show goes on in timeless eternity. Carved from Port Orford Cedar finished with its natural surface smoothed, the lightness in colour and flowing grain patterns work with the form to present a sense of weightless motion. The wood has a pleasant lemony scent and the smoothness of the surface can be enjoyed when held.

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:5 W x 4.5 H x 5.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mike Sasaki was born in Toronto, Canada. He graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. He lived in Tokyo, Japan for 5 years where he was immersed in traditional and modern Japanese culture. The martial arts philosophies have played an important role in his artistic development. In his search for a hands on approach he has found sculpting in wood a wonderful solution. He is currently living in Metro Vancouver and focusing on the metamorphic line of abstract wood forms.

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