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"aurum ligneum II_23,75 Karat Plattgold" Sculpture

Alabaster Becher, Germany

Sculpture, Wood

3.9 W x 1.6 H x 2.4 D in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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_Aurum ligneus_ [_Wood, 23.75 Karat real gold leaf_] the wood that i have gilded is from the dresden heath. Nature has been working on it for years. Ants have lived in it, rain has soaked it again and again, earth has almost enclosed it. I salvaged the wood, cleaned it, sealed it and coated the ar...

Year Created:

2023

Subject:
Method:

Sculpture, Wood

Rarity:

One-of-a-kind Artwork

Size:

3.9 W x 1.6 H x 2.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

ꟷ I see my work as artistic research. The creation of art is non-linguistic thinking. Artistic work can access areas of the brain where information is stored in a way that cannot be verbalized. ꟷ In the process of dealing with a question, I give these fragments, which cannot be grasped with language, a form and transfer them into the space outside of myself. So that they become communicable in order to be able to be a position and disposition for others. ꟷA s the village child of a working-class family from the Ore Mountains, comics were my only access to art. ꟷA t school, I only liked geometry, as it seemed highly aesthetic to me even then. ꟷ Three days after I decided to burn all my canvases in a pile, I was invited to my first solo exhibition. I've been at it ever since. ꟷF or many years, art was done on a small scale alongside my job in addiction support. Today, thinking and doing need more space. ꟷ In addition to my studio, which can be visited, I am constantly represented by Tina Warmuth and the Studio for Appliet and Contemporary Art. ꟷ We are currently working on an exhibition concept for new works.

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