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A study in balance and simple forms.  There are two floating kinetic elements to the work. Clean off- white , understated elements contrast starkly with the  composition's  centre of interest, the "Balance in Red"
 
 The white elements have a matt and slightly textured surface , and the red is glossy.
A study in balance and simple forms.  There are two floating kinetic elements to the work. Clean off- white , understated elements contrast starkly with the  composition's  centre of interest, the "Balance in Red"
 
 The white elements have a matt and slightly textured surface , and the red is glossy.
A study in balance and simple forms.  There are two floating kinetic elements to the work. Clean off- white , understated elements contrast starkly with the  composition's  centre of interest, the "Balance in Red"
 
 The white elements have a matt and slightly textured surface , and the red is glossy.
A study in balance and simple forms.  There are two floating kinetic elements to the work. Clean off- white , understated elements contrast starkly with the  composition's  centre of interest, the "Balance in Red"
 
 The white elements have a matt and slightly textured surface , and the red is glossy.
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Balance in Red Sculpture

Paul Stein

South Africa

Sculpture, Steel on Aluminium

Size: 13.8 W x 13 H x 27.6 D in

Ships in a Crate

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SOLD
Originally listed for $1,810
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856 Views
13

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About The Artwork

A study in balance and simple forms. There are two floating kinetic elements to the work. Clean off- white , understated elements contrast starkly with the composition's centre of interest, the "Balance in Red" The white elements have a matt and slightly textured surface , and the red is glossy.

Details & Dimensions

Sculpture:Steel on Aluminium

Original:One-of-a-kind Artwork

Size:13.8 W x 13 H x 27.6 D in

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Paul Stein was born in Johannesburg, South Africa in 1956 , and lives and works out of his studio in Cape Town. He works in the medium of metal and mixed media sculpture, and his works are in collections both in South Africa and abroad. I work primarily within the direct metal approach to sculpture, as opposed to the cast metal method. My raw materials are sheets of steel or aluminium which I shape towards the desired end. I am drawn towards simplicity in form and the idea of stating an idea with minimum fuss. I find inspiration in many things, but my prime area of interest at the moment is using the medium of sculpture to express human intent. I am also interested in the idea of fragmentation, of form, movement and implied movement in sculpture. How do you alter the static nature of sculpture, and make it come alive?

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