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Michael Binkley carved this original fine art marble sculpture of the back of a nude torso and is another in his explorations into carving the human figure underneath drapery. This sculpture is a female torso that has backed into a diaphanous curtain. The drapery clings to most of the female form, with only a few wrinkles evident.

The original block of Carrara marble was relatively flat and somewhat square. Binkley wanted to make the curtains quite thin at the edges, so a strong backlight would make them glow. This is evident in the last photo, where the bright sun is penetrating the edges. It is a high relief style with the attention focused on the figurative side of the sculpture. The viewer’s eye is drawn to the buttocks and the clinging drapery on this side. The drapes fall in vertical folds on either side of the figure but gather between the buttocks and cling to the left hip and the right thigh. The opposite side is a simple composition of a smooth, undulating surface. Here, the viewer’s eye is drawn to the striations of the marble.

Binkley has given the entire sculpture a smooth, matte finish that is wonderful to touch and gives the stone the ability to successfully hold shadows. The choice of a monochromatic marble makes the material visually inferior to the subject, which is a purposeful and important element for his figurative sculptures.
Michael Binkley carved this original fine art marble sculpture of the back of a nude torso and is another in his explorations into carving the human figure underneath drapery. This sculpture is a female torso that has backed into a diaphanous curtain. The drapery clings to most of the female form, with only a few wrinkles evident.

The original block of Carrara marble was relatively flat and somewhat square. Binkley wanted to make the curtains quite thin at the edges, so a strong backlight would make them glow. This is evident in the last photo, where the bright sun is penetrating the edges. It is a high relief style with the attention focused on the figurative side of the sculpture. The viewer’s eye is drawn to the buttocks and the clinging drapery on this side. The drapes fall in vertical folds on either side of the figure but gather between the buttocks and cling to the left hip and the right thigh. The opposite side is a simple composition of a smooth, undulating surface. Here, the viewer’s eye is drawn to the striations of the marble.

Binkley has given the entire sculpture a smooth, matte finish that is wonderful to touch and gives the stone the ability to successfully hold shadows. The choice of a monochromatic marble makes the material visually inferior to the subject, which is a purposeful and important element for his figurative sculptures.
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Behind the Curtain Sculpture

Michael Binkley

Canada

Sculpture, Stone on Marble

Size: 16.5 W x 16.5 H x 4 D in

Ships in a Crate

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SOLD
Originally listed for $3,160
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About The Artwork

Michael Binkley carved this original fine art marble sculpture of the back of a nude torso and is another in his explorations into carving the human figure underneath drapery. This sculpture is a female torso that has backed into a diaphanous curtain. The drapery clings to most of the female form, with only a few wrinkles evident. The original block of Carrara marble was relatively flat and somewhat square. Binkley wanted to make the curtains quite thin at the edges, so a strong backlight would make them glow. This is evident in the last photo, where the bright sun is penetrating the edges. It is a high relief style with the attention focused on the figurative side of the sculpture. The viewer’s eye is drawn to the buttocks and the clinging drapery on this side. The drapes fall in vertical folds on either side of the figure but gather between the buttocks and cling to the left hip and the right thigh. The opposite side is a simple composition of a smooth, undulating surface. Here, the viewer’s eye is drawn to the striations of the marble. Binkley has given the entire sculpture a smooth, matte finish that is wonderful to touch and gives the stone the ability to successfully hold shadows. The choice of a monochromatic marble makes the material visually inferior to the subject, which is a purposeful and important element for his figurative sculptures.

Details & Dimensions

Sculpture:Stone on Marble

Original:One-of-a-kind Artwork

Size:16.5 W x 16.5 H x 4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Canadian fine artist Michael Binkley, based in Vancouver, BC, Canada is a professional stone sculptor with over 40 years experience and is among Canada’s most successful self-represented artists. Binkley is primarily self-taught and works in a wide range of idiom, scale and type of stone, including marble, granite, jade and limestone. His favourite subject is the human nude, but he also creates pure abstract and wildlife images. Binkley invites you to visit his website, MichaelBinkley.com to learn more about this talented artist. He maintains a constantly changing collection of sculpture for sale in his gallery, but Binkley can also create site specific art for your specific needs. He has extensive experience working in collaboration with patrons, gallery owners, art consultants, designers, architects and landscape designers. You work hard to create your comfortable living environment and good quality fine art is an important element in that environment. Have you considered sculpture in your life? Binkley is very approachable and welcomes your inquiries. With Michael Binkley, there is no Artspeak mumbo jumbo - simply real quality fine art stone sculpture from a real human being.

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