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United Kingdom
Sculpture, Digital on Other
Size: 51.2 W x 39 H x 4.3 D in
Ships in a Crate
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Bone Idol is a latter day totem, where the Flintstones meet sanitised Voodoo. Constructed from disparate elements, this work combines mid-century Soviet veterinary anatomical graphics with a citrus yellow electroluminescent text inlay. The enclosure itself is constructed from clinically prepared cow thigh bones integrated into a conventional hard wood moulding, the whole being lacquered in a uniform bone coloured satin varnish. This creates an almost factory moulded frame that pays homage to the Hannah Barbara cartoon character Bam Bam and her dinosaur bone hair decoration.
Sculpture:Digital on Other
Original:One-of-a-kind Artwork
Size:51.2 W x 39 H x 4.3 D in
Frame:White
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
The DANGEROUS MINDS ARTISTS Studio was founded by Michael Lake-McMillan and Alan Stuart. The artists’ distinctive work constantly refers and returns to the touchstones of light, beauty in decay, abandonment and antiquated typography. Dangerous Minds practice is driven by duality. The pairs’ intuitive subliminal dialogue centres on point and counterpoint and the production of works that are, fundamentally, aesthetically appealing and which, on further inspection, inspire curiosity and cause a ripple of intellectual stimulation. Subject matter is considered in depth, deconstructed then reformulated with an essential duality at its core, often incorporating ambiguous or cryptic text elements relating to a parallel narrative. Key to their oeuvre is the juxtaposition of the immediately apparent and that which only becomes visible through physical change – either in the position of the viewer or in the lighting of the work, whether specifically engineered or occurring naturally with the transition of day into night.
Artist featured by Saatchi Art in a collection
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