1974 Views

33

View In My Room

Bridge of 100 Matchsticks Sculpture

Randy Burman

United States

Sculpture, Wood on Plastic

Size: 13 W x 10.5 H x 7 D in

Ships in a Crate

This artwork is not for sale.

1974 Views

33

ABOUT THE ARTWORK

Wood box, 100 wood matchsticks, balsa wood strips, 2 HO scale figurines

DETAILS AND DIMENSIONS
Sculpture:

Wood on Plastic

Original:

One-of-a-kind Artwork

Size:

13 W x 10.5 H x 7 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Baltimore, attended Baltimore Junior College for two years under the tutelage of artist Bennard Pearlman. In 1967, his painting, Underneath the Piano, was exhibited in the juried Baltimore Museum of Art Regional Painting Show. He had his first one-man show at the University of Maryland, Baltimore County Campus in 1969. After dropping out of the Maryland Institute of Art, he worked on Baltimore's underground paper, Harry, where he met P.J. O'Rourke, who later, at Randy's request, wrote the script for a graphic story which appeared in the Fells Point Telegraphé - an artists and writers collaborative organized by Randy to support the legal challenge to the Department of Transportation's plan to demolish the working-class, waterfront neighborhood of Fells Point to make way for a leg of I-95. In 1971 with Alan Rose, he created movie titles for fellow Baltimorean, John Waters'Pink Flamingos. And in 1973, again for Female Trouble. He also did occasional stints on special issues with Alan and P.J. for the National Lampoon. He moved to Miami in 1976 and with arts administrator and artist Anna Reville, created a line of silk-screened Christmas cards which sold at local design, art and museum stores. In 1978, he formed R&R Graphics. In the eighties he founded River Studio, and a third partnership, Burman & Perez, in the early 1990s. In 1995 he founded IKON Communication, a Miami graphic design consultancy, primarily creating communications and donor recognition systems for non-profit foundations. In 2008, at 60, he resumed his fine art career.

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