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During this copper project, my focus lies on the process. I can't be sure of how the piece will end up. I have an idea but the material might want someting else. I also want to keep room for my subconscious to work on my piece.This is what will make it unique and not even I could create an exact copy of it.

When I considered this piece ready (when is that?) and I showed it to a friend of mine, she saw a collapsed person - while I myself had a bridge in mind: a bridge between jewellery and sculpture, between the known and the unknown, the inner and the outer journey. A bridge between soft and hard, warm and cold (to make the metal soft enough to work with, one has to heat it up). Therefor I decided to call it "Building a bridge". 

Framed: H: 25 cm W: 25 cm D: 5 cm
Sculpture: H: 7 cm W: 2,5 cm
During this copper project, my focus lies on the process. I can't be sure of how the piece will end up. I have an idea but the material might want someting else. I also want to keep room for my subconscious to work on my piece.This is what will make it unique and not even I could create an exact copy of it.

When I considered this piece ready (when is that?) and I showed it to a friend of mine, she saw a collapsed person - while I myself had a bridge in mind: a bridge between jewellery and sculpture, between the known and the unknown, the inner and the outer journey. A bridge between soft and hard, warm and cold (to make the metal soft enough to work with, one has to heat it up). Therefor I decided to call it "Building a bridge". 

Framed: H: 25 cm W: 25 cm D: 5 cm
Sculpture: H: 7 cm W: 2,5 cm
During this copper project, my focus lies on the process. I can't be sure of how the piece will end up. I have an idea but the material might want someting else. I also want to keep room for my subconscious to work on my piece.This is what will make it unique and not even I could create an exact copy of it.

When I considered this piece ready (when is that?) and I showed it to a friend of mine, she saw a collapsed person - while I myself had a bridge in mind: a bridge between jewellery and sculpture, between the known and the unknown, the inner and the outer journey. A bridge between soft and hard, warm and cold (to make the metal soft enough to work with, one has to heat it up). Therefor I decided to call it "Building a bridge". 

Framed: H: 25 cm W: 25 cm D: 5 cm
Sculpture: H: 7 cm W: 2,5 cm
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Building a bridge. Framed copper work. Sculpture

Magdalena Cecilia Johne

Sweden

Sculpture, Copper on Cardboard

Size: 9.8 W x 9.8 H x 2 D in

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SOLD
Originally listed for $345
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About The Artwork

During this copper project, my focus lies on the process. I can't be sure of how the piece will end up. I have an idea but the material might want someting else. I also want to keep room for my subconscious to work on my piece.This is what will make it unique and not even I could create an exact copy of it. When I considered this piece ready (when is that?) and I showed it to a friend of mine, she saw a collapsed person - while I myself had a bridge in mind: a bridge between jewellery and sculpture, between the known and the unknown, the inner and the outer journey. A bridge between soft and hard, warm and cold (to make the metal soft enough to work with, one has to heat it up). Therefor I decided to call it "Building a bridge". Framed: H: 25 cm W: 25 cm D: 5 cm Sculpture: H: 7 cm W: 2,5 cm

Details & Dimensions

Multi-paneled Sculpture:Copper on Cardboard

Original:One-of-a-kind Artwork

Size:9.8 W x 9.8 H x 2 D in

Number of Pieces:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Magdalena Cecilia Johne, a Swedish jeweller who has been designing and making her creations for some twenty years, for the last twelwe years under her own jewellery brand M925 Design. She has recently advanced into larger pieces of art, exploring jewellery techniques on different metals and the dynamics between contrasts like precious/non precious, polished/raw, hard/soft, warm/cold, art/not art, randomness/purposefulness, abstraction/figurativeness. And not the least: perfection/defection

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