VIEW IN MY ROOM
Competitive Sculpture
Vietnam
Sculpture, Ceramic on Ceramic
Size: 12.2 W x 19.3 H x 11 D in
Ships in a Box
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About The Artwork
Reflecting the competitive spirit in various aspects of everyday life, this sculpture is composed from three tubes connected to each other that represent the racetracks, and each is closed by a heart-shape at the end. This ceramic sculpture is created by a synthesis of coil building, and a decorating method advanced from one of Bien Hoa ceramics producing area in the South of Vietnam. In this conventional glazing, a carved line is used to prevent different glazes from overlapping with each other. On my rough and complex-surfaced sculpture like this one, I took the initiative to scale the intended glazing areas down to glazed dots; thus, the carved contour becomes unnecessary. Viewing this ceramic sculpture from a distance, only colored form might be seen. The closer we come, the more obviously the color glazed dots appear. This optical illusion helps to create the feeling that the artwork is animated.
Details & Dimensions
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:12.2 W x 19.3 H x 11 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Vietnam.
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A Vietnamese independent visual artist based in Ho Chi Minh City, Vietnam. My career started off as a commercial designer after I accomplished a major in Industrial Arts/Ceramic Art in Vietnam in 2005. After a period of postgraduate study in Japan (2011-2017), I returned to Vietnam and established my atelier. My practice is evolving towards the physical characteristics of visual and tactile sensation through the properties of materials. My works are expanded from ceramics to mixed-media surfaces. With an expectation of being able to extensively propose an art appreciation to even the visually impaired people, I considers the integration of tactile interpretation onto my visual artworks as an ‘inclusiveness’; and it is channeling my study into an investigation of the relationship between the ‘inclusive’ and the ‘exclusive’ aspect within a context of contemporary society.
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