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Making a connection to a other can be difficult, pleasant, complex or awkward. In most occasions it’s a mix of many feelings and emotions. This concept of the ‘human condition’ is intriguing and an great inspiration for expression in all it details. In this work I discus the feeling of ‘thick air’ between humans while playing in a debatable way with positive and negative space. Using value and texture to discus the pure inside and raw and rough outside formed by life itself of ourselves.
Making a connection to a other can be difficult, pleasant, complex or awkward. In most occasions it’s a mix of many feelings and emotions. This concept of the ‘human condition’ is intriguing and an great inspiration for expression in all it details. In this work I discus the feeling of ‘thick air’ between humans while playing in a debatable way with positive and negative space. Using value and texture to discus the pure inside and raw and rough outside formed by life itself of ourselves.
Making a connection to a other can be difficult, pleasant, complex or awkward. In most occasions it’s a mix of many feelings and emotions. This concept of the ‘human condition’ is intriguing and an great inspiration for expression in all it details. In this work I discus the feeling of ‘thick air’ between humans while playing in a debatable way with positive and negative space. Using value and texture to discus the pure inside and raw and rough outside formed by life itself of ourselves.
Making a connection to a other can be difficult, pleasant, complex or awkward. In most occasions it’s a mix of many feelings and emotions. This concept of the ‘human condition’ is intriguing and an great inspiration for expression in all it details. In this work I discus the feeling of ‘thick air’ between humans while playing in a debatable way with positive and negative space. Using value and texture to discus the pure inside and raw and rough outside formed by life itself of ourselves.
Making a connection to a other can be difficult, pleasant, complex or awkward. In most occasions it’s a mix of many feelings and emotions. This concept of the ‘human condition’ is intriguing and an great inspiration for expression in all it details. In this work I discus the feeling of ‘thick air’ between humans while playing in a debatable way with positive and negative space. Using value and texture to discus the pure inside and raw and rough outside formed by life itself of ourselves.

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Connection 'appearance' in red Sculpture

Ronald Kunneman

Netherlands

Sculpture, Steel on Steel

Size: 5.1 W x 19.7 H x 3.9 D in

Ships in a Box

SOLD
Originally listed for $910

36 Views

7

ABOUT THE ARTWORK

Making a connection to a other can be difficult, pleasant, complex or awkward. In most occasions it’s a mix of many feelings and emotions. This concept of the ‘human condition’ is intriguing and an great inspiration for expression in all it details. In this work I discus the feeling of ‘thick air’ between humans while playing in a debatable way with positive and negative space. Using value and texture to discus the pure inside and raw and rough outside formed by life itself of ourselves.

DETAILS AND DIMENSIONS
Sculpture:

Steel on Steel

Original:

One-of-a-kind Artwork

Size:

5.1 W x 19.7 H x 3.9 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ronald (Netherlands) is an international selling artist working with different materials and techniques, exploring all possibilities in their properties. Finding his most flexible expression freedom in working mainly with steel and metals. Using this as a foundation of his ‘meta-language’ of expression with other raw and natural materials tells his story in essentialist and geometrically based forms in a surprising way. However there is criticism and sharpness to be observed that calls for discussion. His sharp eye looks at ‘the human condition’ internally in a metaphysical way, but also in relation to his environment upto an anthropological kind of analysis of our existence. . .

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