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Deaf Shouts Sculpture

Cristina Figarola

Spain

Sculpture, Ceramic

Size: 31.5 W x 9.8 H x 31.5 D in

Ships in a Box

Temporarily Unavailable

283 Views

28

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The piece is made up of 29 vases of white clay, all of them 25 cm high and gathered around a center, set up in a circle of 80 cm in diameter in the shape of a spiral or concentric movement. This work speaks of violence and mainly of the violence against women

Year Created:

2015

Subject:
Styles:
Method:
Method:

Multi-paneled Sculpture, Ceramic

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 9.8 H x 31.5 D in

Number of Pieces:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I was born in Barcelona and I graduated in Fine Arts in Cuenca's University. I am currently working on the creation of Totems, made up of stacked pieces of stoneware, which come from the field of utilitarian ceramics. I use shapes with expressive deformations, fitting them into columns of variable composition. When I started working in this craft, I realised that everything revolved around the feminine. The earth, the circle and the shapes that emerge from this millenary technique produce utilitarian pieces that are the mark of ancient civilisations, apparently fragile, but which have survived thousands of years underground. The superimposition of ceramic pieces crossed by an iron rod was born as a symbol of women's work, care and generosity towards their loved ones, and at the same time alludes to the feminine role and its historical link with the domestic sphere.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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