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"Die Hölle ist leer..." Sculpture

Stefan Korinek, Austria

Sculpture, Bronze

45.3 W x 45.3 H x 2 D in

Ready to Hang

Sold

$6,545

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Shakespeare: The Tempest: Hell is empty and all the devils are here. The preliminaries to the first punch into the sheet metal often do take quite some time: I say many mantras pleading for succour, I have prolonged debates with myself, and I contemplate the I-Ching. Only then, the first breaches. A...

Year Created:

2023

Subject:
Method:

Sculpture, Bronze

Rarity:

One-of-a-kind Artwork

Size:

45.3 W x 45.3 H x 2 D in

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Austria.

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Need more information?

Stefan Korinek Born in Austria, in the Weinviertel region, he lives and works in Gars am Kamp (Waldviertel). Stefan Korinek’s artistic practice operates within the dynamic interplay of material transformation, temporality, and light. The point of departure for his works is copper — a metal understood not as a mere carrier, but as an autonomous acting entity. Korinek deliberately refrains from using traditional paints. Instead, he initiates chemical reaction processes that allow the material itself to generate color. Oxidation becomes a formative principle, patina a painterly event. In this context, the artist does not perceive himself as the controller of the material, but rather as the catalyst of an open-ended process. The resulting surfaces are characterized by unpredictability, density, and organic structure. In a second, consciously applied intervention, the copper plates are manually perforated using hammer and burin. These penetrations create space for integrated light sources, allowing the works to radiate from within. Materiality and immateriality, heaviness and light, control and chance enter into a dialogical state. Korinek’s works address transience not as loss, but as continuous transformation. Conceptually, his practice is informed by the idea of “Tikun Ha Olam” — the concept of repairing or healing the world. In this sense, his art can be understood as a poetic contribution to awareness, responsibility, and change. His works have been presented in exhibitions in Vienna, Hamburg, Zurich, Paris, and Ljubljana, as well as at international art fairs.

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