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Guinomi, small cup for sake. Also suitable as an espresso cup. Black clay, white glaze, good grip.
Faceted shape and the texture are made in a very special way.
Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist.
Glazed and fired at Pottery Park studio Kiln in 2018.
Guinomi, small cup for sake. Also suitable as an espresso cup. Black clay, white glaze, good grip.
Faceted shape and the texture are made in a very special way.
Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist.
Glazed and fired at Pottery Park studio Kiln in 2018.
Guinomi, small cup for sake. Also suitable as an espresso cup. Black clay, white glaze, good grip.
Faceted shape and the texture are made in a very special way.
Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist.
Glazed and fired at Pottery Park studio Kiln in 2018.
Guinomi, small cup for sake. Also suitable as an espresso cup. Black clay, white glaze, good grip.
Faceted shape and the texture are made in a very special way.
Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist.
Glazed and fired at Pottery Park studio Kiln in 2018.

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"Discovery" Guinomi, Wabi Sabi Cup for Sake or Whiskey Sculpture

Paul Fryman

Ukraine

Sculpture, Ceramic on Ceramic

Size: 2.4 W x 2.8 H x 2.2 D in

Ships in a Box

SOLD
Originally listed for $240

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ABOUT THE ARTWORK

Guinomi, small cup for sake. Also suitable as an espresso cup. Black clay, white glaze, good grip. Faceted shape and the texture are made in a very special way. Created in a wabi-sabi aesthetic way by Ukrainian ceramic artist. Glazed and fired at Pottery Park studio Kiln in 2018.

DETAILS AND DIMENSIONS
Sculpture:

Ceramic on Ceramic

Original:

One-of-a-kind Artwork

Size:

2.4 W x 2.8 H x 2.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My sources of inspiration are Japanese ceramics, the beauty of the land around me and behavior of the material itself. From wood-fired stoneware I expect to get on the one hand, perpetuation of the raw piece’s beauty, on the other hand, achievement of an extreme degree of firing transformation, one step before (or even after) the material’s destruction. The greatest success for me is an obtaining a harmonious combination of these two mutually contradictory results in one bowl. The clay, the fire and the artist are equal partners in the pot’s creation, giving one infinite wonder. The most exciting moment, the kiln opening, can be compared with a new planet’s discovery, finding a place there was no one before. That’s the reason to make a Chawan.

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