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Sculpture, Relief on Fabric
Size: 39 W x 16 H x 3 D in
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Showed at the The Other Art Fair
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I worked on Disembogue #21 at the end of August last summer. However, the weather was less cooperative than earlier in the season. The days were cloudier and cooler, making it harder to take advantage of the sun to dry the washes I was applying. At times, I had to use heat lamps to help dry the paint on the canvas. Similarly, I also had to use heat lamps while stretching the canvas on the shape stretchers. If the temperature is too cold, the paint may not be pliable enough and could possibly crack at the edges. Therefore, I had to apply considerable force to the canvas while stretching it to avoid any such mishap.
2023
Relief on Fabric
One-of-a-kind Artwork
39 W x 16 H x 3 D in
2
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Yes
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Postmodern art has a fixation on absolute contrasts; photography and painting, abstract and representation, and conceptual and practical. My study is a dismantling of these conventional categories through the integration of elements found within sculpture, painting, and photography. The sculpted canvases are handmade and unique to each artwork. The structural forms fragment the frame and instill movement, disrupting the conventional geometric configuration of wall-mounted artwork. Each piece is a deconstruction of the surrounding environment, as the structural form of the canvas abstracts the natural lines within. My investigation into the tradition of Canadian art, the unadulterated beauty of the physical world, and resonating passing memory, results in an attempt to communicate the grandeur and fragility of nature. I have studied in Banff School of Fine Arts and have a four year diploma in Fine Arts (1978) and a four year diploma in Graphic Design (1983) from Ontario College of Art (presently OCAD University). My last year of the Fine Arts program was spending in Florence, Italy studying under Canadian Figurative Artist Tom La Pierre.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Brooklyn, Chicago
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