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Installation view (with Doodle No. 2)
Installation view
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Doodle No. 3 Sculpture

Philip Cope

United Kingdom

Sculpture, Wood on Wood

Size: 3 W x 16 H x 3 D in

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SOLD
Originally listed for $540
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137 Views
5

About The Artwork

The "Doodle" series of sculptures explore the expression of spontaneity in what is actually a methodical process. The original starting point for this piece was a life drawing, which evolved considerably during the initial phases of the work. The two forms that make up the the carving were carved from a single piece of wood; they are not two forms stuck together. This carving has a smooth, highly sanded finish throughout. The carving is separated from the base with a small bronze rod. The wood is treated with a beeswax/turpentine finish for protection, giving the carving a subtle sheen.

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:3 W x 16 H x 3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Phil Cope is a sculptor living and working in Cambridge, UK. He produces sculptural pieces that are predominantly abstract, however they often take inspiration from the human form and life drawing forms an important part of his process. He takes a modernist approach to design and Henry Moore and Barbara Hepworth are significant influences on his work. He works on a small scale, producing pieces that are intended for domestic spaces. In May 2022, Phil was accepted as a member of ArtCan In April 2022, Phil was accepted as a member of Cambridge Drawing Society In November 2021, Phil’s piece 2020/11 was awarded the regional prize for East Anglia at the ING Discerning Eye exhibition, at the Mall Galleries in Central London. I aim to create attractive abstract forms that are recognisably handmade objects that reflect their origin and the processes used to make them. In the use of wood as my primary material and in my treatment of it, I hope to produce objects that illuminate the balance that exists between the human and natural worlds; a balance that I believe is becoming increasingly precarious. In doing so I hope to reflect on civilisations continuing dependence on, and debt to, the natural world.

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