Entrelazada Sculpture

Being from Spain, we have famous sculptors and artists that I have seen their art growing up, such as the master Chillida or Jorge Oteiza. Both are artists who work with metals and the environment to produce a sense of connectivity between earth and art. We can see this in Chillida's "Comb of the Wind". I hope you feel that my sculpture is alive, as no position is wrong, you can place it as you choose having six positions or more. It might transmit the infinity of our existence, without beginning or end, always in continuous evolution. My first criticism from Japan: Translate: As soon as I saw Belén's work I was bewildered. There is a strange perfection. It is moving. It is in motion, searching for the havest form. But it is so complete that you only see beauty from every angle. It's similar to how Nastassja Kinski is beautiful from every angle. 　I was even more perplexed when I saw the work placed outdoors. 　Is it the same work as the first photo, just a different placement, a different angle at which the photo was taken? 　No, which puzzled me even more. 　I don't know which placement or angle I like best anymore. I can't tell exactly where I'm drawn to. The more I look at them, the less I know which one I like. 　Can there be so much beauty? 　No matter how you place it, it doesn't fall. It's as if the three rectangular frames change position slightly each time they are placed differently, and then rebalance themselves. Humans and animals can do this. Bethlehem's work, however, is made of iron. The three frames are fixed somewhere. And yet they seem to move freely, as if the "wheel of wisdom" is moving. 　Indeed, there may be some extraordinary secret that makes this work move. In other words, I could ignore Bethlehem's instructions and modify the position of the frame to my liking.