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I  love the world of cats and this sculpture attempts to capture some of those mysterious silent qualites , which gives them such allure. The sculpture is made from alluminium, lacqured and textured ,and is in an edition of 9. The head can be swivelled  to the left and right, and the eyes can moved to change the expression. The sculpture is seated on a stin whitel alluminium base . Fastening details are made from brass and stainless steel.
I  love the world of cats and this sculpture attempts to capture some of those mysterious silent qualites , which gives them such allure. The sculpture is made from alluminium, lacqured and textured ,and is in an edition of 9. The head can be swivelled  to the left and right, and the eyes can moved to change the expression. The sculpture is seated on a stin whitel alluminium base . Fastening details are made from brass and stainless steel.
I  love the world of cats and this sculpture attempts to capture some of those mysterious silent qualites , which gives them such allure. The sculpture is made from alluminium, lacqured and textured ,and is in an edition of 9. The head can be swivelled  to the left and right, and the eyes can moved to change the expression. The sculpture is seated on a stin whitel alluminium base . Fastening details are made from brass and stainless steel.
I  love the world of cats and this sculpture attempts to capture some of those mysterious silent qualites , which gives them such allure. The sculpture is made from alluminium, lacqured and textured ,and is in an edition of 9. The head can be swivelled  to the left and right, and the eyes can moved to change the expression. The sculpture is seated on a stin whitel alluminium base . Fastening details are made from brass and stainless steel.
I  love the world of cats and this sculpture attempts to capture some of those mysterious silent qualites , which gives them such allure. The sculpture is made from alluminium, lacqured and textured ,and is in an edition of 9. The head can be swivelled  to the left and right, and the eyes can moved to change the expression. The sculpture is seated on a stin whitel alluminium base . Fastening details are made from brass and stainless steel.

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12

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Feline Study #1 Sculpture

Paul Stein

South Africa

Sculpture, Aluminium

Size: 29.5 W x 46.5 H x 19.7 D in

Ships in a Crate

SOLD
Originally listed for $6,750

758 Views

12

Artist Recognition
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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I love the world of cats and this sculpture attempts to capture some of those mysterious silent qualites , which gives them such allure. The sculpture is made from alluminium, lacqured and textured ,and is in an edition of 9. The head can be swivelled to the left and right, and the eyes can moved ...

Year Created:

2016

Subject:
Method:

Sculpture, Aluminium

Rarity:

One-of-a-kind Artwork

Size:

29.5 W x 46.5 H x 19.7 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Africa.

Need more information?

Need more information?

Paul Stein was born in Johannesburg, South Africa in 1956 , and lives and works out of his studio in Cape Town. He works in the medium of metal and mixed media sculpture, and his works are in collections both in South Africa and abroad. I work primarily within the direct metal approach to sculpture, as opposed to the cast metal method. My raw materials are sheets of steel or aluminium which I shape towards the desired end. I am drawn towards simplicity in form and the idea of stating an idea with minimum fuss. I find inspiration in many things, but my prime area of interest at the moment is using the medium of sculpture to express human intent. I am also interested in the idea of fragmentation, of form, movement and implied movement in sculpture. How do you alter the static nature of sculpture, and make it come alive?

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