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This work was part of a series based on the concept of "anima" by Carl Jung. The faces have no mouths and are animated from their interior.
This work was part of a series based on the concept of "anima" by Carl Jung. The faces have no mouths and are animated from their interior.
This work was part of a series based on the concept of "anima" by Carl Jung. The faces have no mouths and are animated from their interior.
This work was part of a series based on the concept of "anima" by Carl Jung. The faces have no mouths and are animated from their interior.

309 Views

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Fissure Sculpture

Sallyanne Morgan

Ireland

Sculpture, Other

Size: 5.9 W x 16.9 H x 3.9 D in

Ships in a Crate

SOLD
Originally listed for $1,720

309 Views

3

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work was part of a series based on the concept of "anima" by Carl Jung. The faces have no mouths and are animated from their interior.

Year Created:

2016

Subject:
Method:

Sculpture, Other

Rarity:

One-of-a-kind Artwork

Size:

5.9 W x 16.9 H x 3.9 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Malta.

Need more information?

Need more information?

I work with ferrous cement, a blend of white Portland cement, marble dust, sand, colour pigment and other fibers, this mix is then applied directly to metal armature or cast from clay models. My work attempts to distil and freeze in time a moment of emotional expression captured in form. I work from the inside out, matching internal narratives with outward postures. Or from the outside in – observing people and reflecting their stories back. The ruggedness of this material often contrasts with its thematic content, strength, and fragility. The texture of the work is a key aesthetic, while also altering limbs - to enable figures to appear both realistic and surreal. I hope the viewer attaches to the familiar and be curious by elements that may not seem to fit.

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Curator - India Balyejusa

India Balyejusa, Senior Curator