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Sculpture made by hand and ceramic extruder with white refractory clays and shiny transparent enamel with copper oxide

This piece is anything but perfect. It goes about the contingency of matter, about the way in which the clay structures itself under the influence of chance and, at the same time, of gravity and its physical properties. This piece' shape does not display beauty but rather gives an account on movement and stillness. It becomes a fluid sculpture that is a metaphor of our ever-changing bodies; that process that we call life.

https://oscarbarbery.com/las-curvas-oscar-barbery-ceramics-sculpture/
Sculpture made by hand and ceramic extruder with white refractory clays and shiny transparent enamel with copper oxide

This piece is anything but perfect. It goes about the contingency of matter, about the way in which the clay structures itself under the influence of chance and, at the same time, of gravity and its physical properties. This piece' shape does not display beauty but rather gives an account on movement and stillness. It becomes a fluid sculpture that is a metaphor of our ever-changing bodies; that process that we call life.

https://oscarbarbery.com/las-curvas-oscar-barbery-ceramics-sculpture/
Sculpture made by hand and ceramic extruder with white refractory clays and shiny transparent enamel with copper oxide

This piece is anything but perfect. It goes about the contingency of matter, about the way in which the clay structures itself under the influence of chance and, at the same time, of gravity and its physical properties. This piece' shape does not display beauty but rather gives an account on movement and stillness. It becomes a fluid sculpture that is a metaphor of our ever-changing bodies; that process that we call life.

https://oscarbarbery.com/las-curvas-oscar-barbery-ceramics-sculpture/
Sculpture made by hand and ceramic extruder with white refractory clays and shiny transparent enamel with copper oxide

This piece is anything but perfect. It goes about the contingency of matter, about the way in which the clay structures itself under the influence of chance and, at the same time, of gravity and its physical properties. This piece' shape does not display beauty but rather gives an account on movement and stillness. It becomes a fluid sculpture that is a metaphor of our ever-changing bodies; that process that we call life.

https://oscarbarbery.com/las-curvas-oscar-barbery-ceramics-sculpture/
Sculpture made by hand and ceramic extruder with white refractory clays and shiny transparent enamel with copper oxide

This piece is anything but perfect. It goes about the contingency of matter, about the way in which the clay structures itself under the influence of chance and, at the same time, of gravity and its physical properties. This piece' shape does not display beauty but rather gives an account on movement and stillness. It becomes a fluid sculpture that is a metaphor of our ever-changing bodies; that process that we call life.

https://oscarbarbery.com/las-curvas-oscar-barbery-ceramics-sculpture/

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Fluid sculpture (part 2) Sculpture

Oscar Guido Barbery

Italy

Sculpture, Ceramic on Ceramic

Size: 10.6 W x 11.8 H x 4.7 D in

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$1,320

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ABOUT THE ARTWORK

Sculpture made by hand and ceramic extruder with white refractory clays and shiny transparent enamel with copper oxide This piece is anything but perfect. It goes about the contingency of matter, about the way in which the clay structures itself under the influence of chance and, at the same time, of gravity and its physical properties. This piece' shape does not display beauty but rather gives an account on movement and stillness. It becomes a fluid sculpture that is a metaphor of our ever-changing bodies; that process that we call life.

DETAILS AND DIMENSIONS
Sculpture:

Ceramic on Ceramic

Original:

One-of-a-kind Artwork

Size:

10.6 W x 11.8 H x 4.7 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In the relationship between the forms there is a narrative of proximity, of contact, of encounter, and it is probable that this narrative is not only composed of concepts but fundamentally of sensations. In Oscar Barbery's work, sculpture is the verb, it is the action and it is the subject, its formal constitution is the result of representations of the self-determined movement of matter: undefined bodies that attract, compose and project themselves. The relationship between them suggests a new nature or an amplified nature. A Latin American artist who has lived in Europe for more than 10 years, he works mainly with clay and its ceramic processes. He has been selected by the Museo internazionale delle ceramiche de Faenza in its 2021 residency programme and currently lives and works between Barcelona and Rimini, Italy. His work has been acquired by museums such as the MAC and the Museo Nacional de Arte de Bolivia. She holds a Master's degree in contemporary artistic creation from the University of Barcelona, where she developed POSTRE, a performance festival with 4 editions. She has had solo and group exhibitions and her work has been published in various Latin American contemporary art publications.

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