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Sculpture made by hand and ceramic extruder with black refractory clay.

When the clay is still wet, the clay coils fall and interlace without the intervention of my hands. They form a volume of interlocking curves. This volume enters the kiln as it is, preserving the clay’s organic and fluid shapes. This way, the fall of the coils is captured as a photograph in these sculptures and evokes the turnmoils of life, as well as the contingency of matter.

With this series, I explore the analogy between clay and our bodies, which turns into an account on movement and stillness, a research on the reactions of matter to change and contingency.

https://vimeo.com/504113719
Sculpture made by hand and ceramic extruder with black refractory clay.

When the clay is still wet, the clay coils fall and interlace without the intervention of my hands. They form a volume of interlocking curves. This volume enters the kiln as it is, preserving the clay’s organic and fluid shapes. This way, the fall of the coils is captured as a photograph in these sculptures and evokes the turnmoils of life, as well as the contingency of matter.

With this series, I explore the analogy between clay and our bodies, which turns into an account on movement and stillness, a research on the reactions of matter to change and contingency.

https://vimeo.com/504113719
Sculpture made by hand and ceramic extruder with black refractory clay.

When the clay is still wet, the clay coils fall and interlace without the intervention of my hands. They form a volume of interlocking curves. This volume enters the kiln as it is, preserving the clay’s organic and fluid shapes. This way, the fall of the coils is captured as a photograph in these sculptures and evokes the turnmoils of life, as well as the contingency of matter.

With this series, I explore the analogy between clay and our bodies, which turns into an account on movement and stillness, a research on the reactions of matter to change and contingency.

https://vimeo.com/504113719
Sculpture made by hand and ceramic extruder with black refractory clay.

When the clay is still wet, the clay coils fall and interlace without the intervention of my hands. They form a volume of interlocking curves. This volume enters the kiln as it is, preserving the clay’s organic and fluid shapes. This way, the fall of the coils is captured as a photograph in these sculptures and evokes the turnmoils of life, as well as the contingency of matter.

With this series, I explore the analogy between clay and our bodies, which turns into an account on movement and stillness, a research on the reactions of matter to change and contingency.

https://vimeo.com/504113719
Sculpture made by hand and ceramic extruder with black refractory clay.

When the clay is still wet, the clay coils fall and interlace without the intervention of my hands. They form a volume of interlocking curves. This volume enters the kiln as it is, preserving the clay’s organic and fluid shapes. This way, the fall of the coils is captured as a photograph in these sculptures and evokes the turnmoils of life, as well as the contingency of matter.

With this series, I explore the analogy between clay and our bodies, which turns into an account on movement and stillness, a research on the reactions of matter to change and contingency.

https://vimeo.com/504113719

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Fluid sculpture (part 3) Sculpture

Oscar Guido Barbery

Italy

Sculpture, Clay on Ceramic

Size: 13.4 W x 15 H x 10.2 D in

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$7,025

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Sculpture made by hand and ceramic extruder with black refractory clay. When the clay is still wet, the clay coils fall and interlace without the intervention of my hands. They form a volume of interlocking curves. This volume enters the kiln as it is, preserving the clay’s organic and fluid shapes...

Year Created:

2018

Subject:
Medium:

Multi-paneled Sculpture, Clay on Ceramic

Rarity:

One-of-a-kind Artwork

Size:

13.4 W x 15 H x 10.2 D in

Number of Pieces:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I’m a Latin American artist, born to an Argentine mother and Bolivian father, and raised between both countries. I studied Social Communication and later Film at the National University of Córdoba, Argentina—a place where I encountered the word art both emotionally and academically. My artistic practice began with photography, a medium I explored for over twenty years to investigate symbolic projections of identity through portraiture. In Bolivia, I developed much of my photographic work and received several awards that solidified my identity as an artist. I participated in more than thirty exhibitions, collaborations, and residencies with institutions, galleries, and art centers. Seeking new expressive forms, I moved to Barcelona, Spain, where I pursued further education with a Master’s in Contemporary Artistic Creation. That path eventually led me to study ceramics at the Escola Industrial de Barcelona. Four years of direct engagement with clay gave rise to a deeper sculptural practice—one centered on matter, the body, and the representation of expanded bodies. Ceramic sculpture has become a fundamental part of my artistic language. I work with a material charged with symbolism, where spoken language falls short. I currently live in Rimini, Italy, where I maintain a ceramic workshop and photography studio. I continue to experiment and research the sculptural and discursive potential of clay. I also spend extended periods in Bolivia, Brazil, and Argentina—places that remain emotionally and professionally vital to me. You can find more details about my awards, exhibitions, residencies, and publications on my website. Thank you for your interest in my work. Artists always need the gaze of the other to become artists. -- Soy de origen latinoamericano, hijo de madre argentina y padre boliviano, y crecí entre estos dos países. Estudié Comunicación Social y luego Cine en la Universidad Nacional de Córdoba, Argentina, un lugar donde entré en contacto emocional y académico con la palabra arte. Mi práctica artística comenzó con la fotografía, medio que utilicé durante más de veinte años para explorar las proyecciones simbólicas de la identidad a través del retrato. Fue en Bolivia donde desarrollé gran parte de mi obra fotográfica y donde obtuve reconocimientos que consolidaron mi identidad como artista. Allí realicé más de treinta exposiciones, colaboraciones y residencias con instituciones, galerías y centros de arte.

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